National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Venetian influances on the Boccaccio Boccaccino's work
Jiráková, Hana ; Zlatohlávek, Martin (advisor) ; Konečný, Lubomír (referee)
(in English) The key theme of my thesis are venetian influences on the Boccaccio Boccaccino's work, who was one of the most important exponents of the Cremonese school of painters. Initially he worked in Genoa, Cremona and Milan and he was influenced by the painters as Leonardo, Bramantino and Boltraffio. In the years 1497-1500 Boccaccino is documented in Ferrara. In this period he executed so-called tondo Gronau, The Christ on the way to Calvary, The Virgin and Child, now in Boston, The Virgin and Child, now in Padua, The Adoration of the Shepherds, now in Naples and Dead Christ supported by an Angel. This works show the influence of Bramantino, umbrian school but also early influence of venetian art. In 1500 or 1501 he painted the altarpiece with Virgin and Child with Sts Peter, Michael, John the Baptist and John the Evangelist for the church of S. Giuliano in Venice. Models of this composition are the S. Cassiano altarpiece of Antonello da Messina and Virgin and Child with Saints which Giovanni Bellini executed for the church of S. Giobbe. Boccaccino's image in S.Giuliano is also inspired by Ercole de'Roberti and Lorenzo Costa. His colours show the influence of Giorgione. In 1506 is Boccaccino documented in Venice but also in Cremona. In the years 1500-1506 he stayed probably in Venice, but he...
Venetian influances on the Boccaccio Boccaccino's work
Jiráková, Hana ; Zlatohlávek, Martin (advisor) ; Konečný, Lubomír (referee)
(in English) The key theme of my thesis are venetian influences on the Boccaccio Boccaccino's work, who was one of the most important exponents of the Cremonese school of painters. Initially he worked in Genoa, Cremona and Milan and he was influenced by the painters as Leonardo, Bramantino and Boltraffio. In the years 1497-1500 Boccaccino is documented in Ferrara. In this period he executed so-called tondo Gronau, The Christ on the way to Calvary, The Virgin and Child, now in Boston, The Virgin and Child, now in Padua, The Adoration of the Shepherds, now in Naples and Dead Christ supported by an Angel. This works show the influence of Bramantino, umbrian school but also early influence of venetian art. In 1500 or 1501 he painted the altarpiece with Virgin and Child with Sts Peter, Michael, John the Baptist and John the Evangelist for the church of S. Giuliano in Venice. Models of this composition are the S. Cassiano altarpiece of Antonello da Messina and Virgin and Child with Saints which Giovanni Bellini executed for the church of S. Giobbe. Boccaccino's image in S.Giuliano is also inspired by Ercole de'Roberti and Lorenzo Costa. His colours show the influence of Giorgione. In 1506 is Boccaccino documented in Venice but also in Cremona. In the years 1500-1506 he stayed probably in Venice, but he...
Marco Bello in the public art collections of the Czech Republic
Pešlová, Olga ; Zlatohlávek, Martin (advisor) ; Konečný, Lubomír (referee)
This bachelor thesis deals with four paintings attributed to Marco Bello (a disciple of Giovanni Bellini) stored within public art collections of Czech Republic. The main emphasis is laid on detailed description which creates a basis for the following confrontation. The author gives information about provenance, literal occurrence, painting techniques, recent condition, undergone conservation treatment etc. for each of the works respectively. The present study also summarizes the basic literature concerning the painter as well as gives fragments of biographical data. A great attention is paid to Circumcision, the only signed author's piece of work and hence a natural pivot of any research on the Marco Bello's production. The attached chart gives an overview of the paintings attributed to the author and thus throws light on approach of respective researchers and their intersection. The present study lay on detailed photography of the four objective paintings.

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