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Social Class in E.M. Forster's Howards End and in Zadie Smith's On Beauty
Lacková, Štěpánka ; Topolovská, Tereza (advisor) ; Higgins, Bernadette (referee)
This bachelor thesis compares and contrasts the depiction of social class in E.M. Forster's Howards End and Zadie Smith's On Beauty. The theoretical part introduces the concept of social class as well as its portrayal in Edwardian literature and in contemporary British literature and also in the works of E.M. Forster and Zadie Smith. Due to the apparent connection between the two texts, an overview of intertextuality and its functioning in literature is added to the theoretical part. The practical part of the paper interprets On Beauty as a pastiche of Howards End but mainly provides the analysis of the two novels in terms of their view of social stratification, in particular the differences between upper middle class and working class. Key words: Howards End, On Beauty, E.M. Forster, Zadie Smith, social class, middle class, working class, intertextuality
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The Country House Revisited: Variations on a Theme from Forster to Hollinghurst
Topolovská, Tereza ; Chalupský, Petr (advisor) ; Franková, Milada (referee) ; Nagy, Ladislav (referee)
This dissertation aims to provide an insight into English country house fiction by twentieth and twenty-first century authors, such as E.M. Forster, Evelyn Waugh, Iris Murdoch, Alan Hollinghurst, and Sarah Waters. The variety of literary depictions of the country house reflects the physical diversification of the buildings in question, from smaller variants to formerly grand residences on the brink of physical collapse. The country house is explored within the wider social and cultural contexts of the period, including contemporary architectural development. Given the exceptionally evocative and integrating properties that the influential theories of Martin Heidegger and Gaston Bachelard attribute to a house in general, it is unsurprising that the concept of the country house has inspired discussion of such a wide spectrum of topics. Its unique centring quality is echoed in the dense intertextuality prominently marking its literary representations, and enables the successful implementation of various temporal idiosyncrasies, which often set the house apart from the habitual passing of time. Within the scope of contemporary fiction, architecture and poetics of space, the country house accentuates different conceptions of dwelling. Consequently, the literary portrayals of the country house can be...
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