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National Repository of Grey Literature 4 records found  Search took 0.00 seconds. 
The analysis of the clarinet spectrum from different manufacturers
 Suchánek, Tomáš ; Mojdl, Edgar (referee) ; Jirásek, Ondřej (advisor)
Bachelor’s thesis focuses on spectral analysis of six B clarinets made by manufacturers Buffet Crampon, RZ Woodwind Manufacturing and Yamaha. Instruments were tested by two professional musicians with different timbral preferences and the resulting spectrum is then applied to how psychoacoustic measurements define timbre perception. Furthermore, the impact of different dynamics or reeds is discussed and significant part of analysis also describes directivity patterns of individual higher harmonics or characteristic formant areas.
Detailed record
The Innovation of clarinet bell using Bessel functions
 Kudělka, Josef ; Musil, Jaroslav (referee) ; Jirásek, Ondřej (advisor)
The bachelor's thesis focuses on the comparison of the influence of clarinet bells on its final spectrum and directional characteristics. It compares the original bell with other bells designed using Bessel sound pipes and made of ABS plastic. It also investigates the principles of tone formation and the necessary theoretical basis.
Detailed record
The Innovation of clarinet bell using Bessel functions
 Kudělka, Josef ; Musil, Jaroslav (referee) ; Jirásek, Ondřej (advisor)
The bachelor's thesis focuses on the comparison of the influence of clarinet bells on its final spectrum and directional characteristics. It compares the original bell with other bells designed using Bessel sound pipes and made of ABS plastic. It also investigates the principles of tone formation and the necessary theoretical basis.
Detailed record
The analysis of the clarinet spectrum from different manufacturers
 Suchánek, Tomáš ; Mojdl, Edgar (referee) ; Jirásek, Ondřej (advisor)
Bachelor’s thesis focuses on spectral analysis of six B clarinets made by manufacturers Buffet Crampon, RZ Woodwind Manufacturing and Yamaha. Instruments were tested by two professional musicians with different timbral preferences and the resulting spectrum is then applied to how psychoacoustic measurements define timbre perception. Furthermore, the impact of different dynamics or reeds is discussed and significant part of analysis also describes directivity patterns of individual higher harmonics or characteristic formant areas.
Detailed record

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