National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Benjamin Britten - Six Metamorphoses after Ovid for Oboe solo op. 49
Dedičová, Monika ; SEQUARDTOVÁ, Liběna (advisor) ; BROŽKOVÁ, Jana (referee)
This thesis deals with the personality of the English composer Benjamin Britten and is also focused on his composition Six Metamorphoses after Ovid for solo oboe op. 49. It also includes information about the life and work of Publius Ovid Naso. Part of my work is interpretive analysis of the composition.
Benjamin Britten - Temporal Variations (interpreter's musical analysis)
Škreptáčová, Anna ; MIHULE, Jiří (advisor) ; BROŽKOVÁ, Jana (referee)
The topic of this Bachelor's thesis is musical analysis of piece of Benjamin Britten - Temporal Variations for oboe and piano, interpreter's view. Main task of thesis is gain informations about this piece or gather informations connected with its inception and work out musical analysis of this piece. For introduction, author speaks about reason of choosing this theme of thesis and speaks about how did she worked out thesis. The first chapter presents author of Variations and his musical works. The second charter is focused on composer's life during time of this piece's inception, after 1930. Following chapter contains list of Britten's pieces for oboe. Thirth chapter is focused on Temporal Variations, circumstances of its inception and sources of inspiration. It is followed by analysis of Temporal Variations, which contains analysis of whole piece and analysis of each part of this piece. Gained knowledges are summarized in the end of thesis.
Benjamin Britten - Noctural after John Dowland Op.70
Moravec, Filip ; ZELENKA, Milan (advisor) ; RAK, Štěpán (referee)
The aim of my Diploma Thesis " Benjamin Britten - Noctural after John Dowland Op. 70 is to describe one of the most important pieces for solo guitar of the twentieth century. First, I deal with the personality of the composer of the piece and of the original. I also mention all of circumstances of this composition. I analyze the work from many perspectives - contextual, technical and interpretational. Then I present my own interpretation. At the end of the diploma thesis I deal with the first recording of the Noctural Op. 70.

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