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Comparison of Hana Bělohradská's prose Bez krásy, bez límce to its film adaptation by Zbyněk Brynych.
 STARÁ, Markéta
The aim of this thesis is to provide a comparison between the novella Bez krásy, bez límce (1962) by Hana Bělohradská and its film adaptation a pátý jezdec je Strach (And the Fifth Rider Is Fear) directed by Zbyněk Brynych. It focuses on the phenomena of time, space, mainly on the space of house and room, and characters. The analysis is based on the methodological concepts by Daniela Hodrová, Gaston Bachelard, Paul Ricoeur and Mikhail Mikhailovich Bachtin. The concluding comparison is drawn from the theoretical literary aspects such as time, space, characters as well as the following interpretation of the prosaic piece of art.
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