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Emptiness
Zemanová, Marie ; Hůla, Zdenek (advisor) ; Šamšula, Pavel (referee)
Naše civilizace (právě pomocí onoho - zaplaťpánbůh! - aktivního přístupu) neustále produkuje obrazy, myšlenky, informace, zboží a tak dále. Podstatné se mísí s nadbytečným. Někdy jako by hrozilo, že nás toto všechno zaplaví. A v tom tkví druhý velký úkol našince - nepodlehnout panice a najít nějakou mapu, která mu vytyčí alespoň přibližný směr cesty životem. Nenechat se pak zlákat mapami, které vedou k růžové budoucnosti, instantní, bezproblémové a jednoduché. Smířit se s tím, že krása života už zkrátka vězí v jeho složitosti a v překážkách, které jsou nám stavěny do cesty. Poznat "cíl cílů" a všechny ostatní cíle proměnit v pouhé prostředky. A přitom se nezbláznit z emocionální, smyslové a významové prázdnoty, která na nás z toho všeho zírá.
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Development of Interpretation of the Playing th Violin During the Second Level of Education at Basic Schools of Arts
Zemanová, Marie ; Kubátová, Gabriela (advisor) ; Perglerová, Marka (referee)
The diploma thesis is focused on the development of interpretation of violin playing at the advanced level at music schools. The aim of the thesis is to go through different periods of music development and to deepen the quality of means of reproduction and develop basic principles of interpretation in advanced students on the basis of several selected compositions. Another objective is to handle the practising process of each composition creatively. The work is oriented practically and may become useful for violin teachers and advanced students. The problems connected with violin playing are treated from the point of view of performance. The teaching process goes from imagination to realization where the technical skills are means for the realization of imagination and, simultaneously, the final performance is a great deal influenced by the player's technical skills. Also, the possibilities how to develop musical imagination and accomplish successful realization of the process mentioned above are discussed. The central themes of the thesis are the development of interpretation of violin playing and the problems connected with it, both theoretical and practical. A scheme for the teaching process is defined and the possible ways of application of the scheme during practice are shown on examples of...
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Musical inspiration in the works of Milan Kundera
Zemanová, Marie ; Kubíček, Tomáš (advisor) ; Klumparová, Štěpánka (referee)
The diploma thesis deals with musical inspiration on the base of the analysis of the composition and motives in Kundera's novels. Basic source of the analysis is Kundera's own reflection of modern music, its principles and functions in author's essays. The aim of the thesis is to chart sources of inspiration which mirror in Kundera's prose and other texts. We proceed from the concrete to the abstract, from analysis of motives and composition of each book, to the intellectual level which is perceptible mainly in author's essays and essaistic passages in some novels. Author's texts are dealt with chronologically. As the level of motives and themes are concerned, the musical inspiration is treated via themes, such as Beethoven and his art of variations, noisy contemporary music and the end of music in the work of Schoenberg. On the level of composition, the author writes novels using schemes of musical forms, such as theme with variations, rondo, sonata form or fugue. In his essays, he mainly examines works of composers Beethoven, Janacek, Stravinskij and Schoenberg. All three levels are connected and they influence each other. The last chapter is oriented didacticly and an option is offered how to use this topic at school. It is important to considerate cross-curricular links between literature and music.
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Important Personalities of the Basic Art School Jihlava
Zemanová, Marie ; Bělohlávková, Petra (advisor) ; Stříteská, Leona (referee)
The theme of the bachelor's work is the summary of the important personalities who are connected with the Basic school of performing arts in Jihlava. The work is concentrated to the past or present teachers, and also to the school-leavers, who excelled at the artistic or pedagogic activity in the region. The main attention will be paid to the personalities, whose importance exceeded the region. These are the main personalities who will be give the largest space in the work: Bohumil Bouda, Bohumír Štědroň, Zdeněk Jílek, Antonín Nosek, Milan Bialas, Vlastimil Bialas, Petr Šandera, Petr Fiala, Antonín Rous, Pavel Jirák, Dana Fučíková, Václav Hoskovec, František Fiala, Hana Škarková, Kateřina Hebelková and Roman Patočka.
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Musical inspiration in the works of Milan Kundera
Zemanová, Marie ; Kubíček, Tomáš (advisor) ; Klumparová, Štěpánka (referee)
The diploma thesis deals with musical inspiration on the base of the analysis of the composition and motives in Kundera's novels. Basic source of the analysis is Kundera's own reflection of modern music, its principles and functions in author's essays. The aim of the thesis is to chart sources of inspiration which mirror in Kundera's prose and other texts. We proceed from the concrete to the abstract, from analysis of motives and composition of each book, to the intellectual level which is perceptible mainly in author's essays and essaistic passages in some novels. Author's texts are dealt with chronologically. As the level of motives and themes are concerned, the musical inspiration is treated via themes, such as Beethoven and his art of variations, noisy contemporary music and the end of music in the work of Schoenberg. On the level of composition, the author writes novels using schemes of musical forms, such as theme with variations, rondo, sonata form or fugue. In his essays, he mainly examines works of composers Beethoven, Janacek, Stravinskij and Schoenberg. All three levels are connected and they influence each other. The last chapter is oriented didacticly and an option is offered how to use this topic at school. It is important to considerate cross-curricular links between literature and music.
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Development of Interpretation of the Playing th Violin During the Second Level of Education at Basic Schools of Arts
Zemanová, Marie ; Kubátová, Gabriela (advisor) ; Perglerová, Marka (referee)
The diploma thesis is focused on the development of interpretation of violin playing at the advanced level at music schools. The aim of the thesis is to go through different periods of music development and to deepen the quality of means of reproduction and develop basic principles of interpretation in advanced students on the basis of several selected compositions. Another objective is to handle the practising process of each composition creatively. The work is oriented practically and may become useful for violin teachers and advanced students. The problems connected with violin playing are treated from the point of view of performance. The teaching process goes from imagination to realization where the technical skills are means for the realization of imagination and, simultaneously, the final performance is a great deal influenced by the player's technical skills. Also, the possibilities how to develop musical imagination and accomplish successful realization of the process mentioned above are discussed. The central themes of the thesis are the development of interpretation of violin playing and the problems connected with it, both theoretical and practical. A scheme for the teaching process is defined and the possible ways of application of the scheme during practice are shown on examples of...
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Important Personalities of the Basic Art School Jihlava
Zemanová, Marie ; Bělohlávková, Petra (advisor) ; Stříteská, Leona (referee)
The theme of the bachelor's work is the summary of the important personalities who are connected with the Basic school of performing arts in Jihlava. The work is concentrated to the past or present teachers, and also to the school-leavers, who excelled at the artistic or pedagogic activity in the region. The main attention will be paid to the personalities, whose importance exceeded the region. These are the main personalities who will be give the largest space in the work: Bohumil Bouda, Bohumír Štědroň, Zdeněk Jílek, Antonín Nosek, Milan Bialas, Vlastimil Bialas, Petr Šandera, Petr Fiala, Antonín Rous, Pavel Jirák, Dana Fučíková, Václav Hoskovec, František Fiala, Hana Škarková, Kateřina Hebelková and Roman Patočka.
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