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Inokulace ořešáku královského fytopatogenními houbami
Zbořilová, Jana
The thesis deals with inoculation of walnut tree with pathogenic fungi proven to cause trunk disease, which results in big economic harm to a wide range of trees worldwide. The research was conducted in the locality of Lednice. The area was planted with walnut trees, which were inoculated with the examined pathogenic fungi. The inoculation started on April 10, 2017 and was repeated on May 2, 2017. The collection of trunk samples took place at the end of the 2017 season, on October 23, 2017, where the evolution of lesions was anticipated. The presence of the relevant pathogenic organism was proved in all examined samples and was verified with reversed cultivation. All isolates used were found to be pathogenic to walnut.
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Garcia Lorca: "Mariana Pineda" - costume comprehensive solution
Kristiánová, Lenka ; PÁTÁ, Agnieszka (advisor) ; ZBOŘILOVÁ, Jana (referee)
The topic of my thesis is a play Mariana Pined, written by F.G. Lorca, the most signif-icant Spanish dramatist and poet of the 20th century. My thesis is divided into two main parts.
The first theoretically historic part briefly introduces author's live and surroundings that strongly influenced his work and his motivation for writing dramas. This part also shortly summarises the historical and political background in context with its direct influence on his work. In addition, I would like to outline the situation, which became the foundation for story development of the main character, historical figure Mariana Pined and her faith, not dissimilar to the faith of the author.
The second part of my thesis focuses on the revelation and description of the psy-chological profile of the individual characters with regards to their meaning in the plot, their motivation and analysis of names and presented symbols. I briefly sketch the plot of the drama and breakdown some situations and their consequences. Subsequently I come to my own concept of colours, shapes, costume designs and the atmosphere. Eventually I attach varieties of visual propositions of the costume solution, its development with respect to the storyline, its transformation and I would like to bring attention to the importance and necessity of costumes in the overall viewer's experience.
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Leoš Janáček: "From the House of the Dead" - complex scenographic project
Gsöllhoferová, Tereza ; DUŠEK, Jan (advisor) ; ZBOŘILOVÁ, Jana (referee)
The goal of my thesis is to create a complex scenographic conception including also the costume desings for the opera "From the House of the Dead" - the last opera by the Czech music composer Leoš Janáček who lived at the turn of the 19th and the 20th century.
The thesis also studies the life and the work of Leoš Janáček, the issue of the inprisonment, the environment of russian prisons and the consise analysis of famous productions of the opera "From the House of the Dead". This previous search and the various sources from fine arts and literature influenced my own scenographic conception.
My stage design should propose the modern way how to perform the opera "From the House of the Dead" and also respect historical facts and original composer's idea.
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VÁCLAV HAVEL: "THA BEGGAR'S OPERA" - Costume Research and Design
Šárková, Kamila ; ZÁBRODSKÁ, Dana (advisor) ; ZBOŘILOVÁ, Jana (referee)
The following text concerns itself with the comprehensive research and design of costumes for The Beggar's Opera by Václav Havel. The author of this thesis presents her historical and theoretical research, the development of her creative concept and final designs.
The play was written in the 1970s, when Havel was reacting critically to the current situation in his home country. To make this social criticism up to date, the author imagined doing a production of this play at a cafe in a small town, and sourcing inspiration for the designs of the individual character types from observing modern small town mentality.
The text is divided into a theoretical and practical part. The theoretical part concerns itself with the history of the play, studies past productions, and examines Havel's approach to theatre. In the practical part we can follow the development of the design concept, including analyses of the individual characters and the sources of inspiration used. Descriptions of the final designs are supported by images.
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Scenography of a musical theatre. Opera composed by Carl Orff, "Prometheus" - a complex scenographic project
Gospavić, Jovana ; ZBOŘILOVÁ, Jana (advisor) ; ZÁBRODSKÁ, Dana (referee)
The goal of this thesis is to comparatively analyses, on theoretical level, Carl Orff's manner of viewing musical work in connection with his scenical theatre pieces. Major focus is on composer's notes and ponderings on then-common opera arrangements, and on the meaning of his Musical Theatre of Minimal Means. The paper compares his style with contemporaneous tendencies of production of Modern Greek theatre. Moreover, it addresses the portability of social aspects of myth and their applicability to modern age, their dramatical potential, and different approach of leading modernists towards this issue.
Second part of this thesis discusses and interprets opera Prometheus and investigates possibilities of its scenographic and costume arrangement
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Scenography of musical theatre. B. Martinů's and G. Neveuxe's opera "Julietta" - complex scenographic project
Tereba, Ján ; DUŠEK, Jan (advisor) ; ZBOŘILOVÁ, Jana (referee)
In the first part of my graduation thesis I will analyze the causes that stood behind birth of surrealism, its manifest on philosophy, literature and visual arts. I will demonstrate the methods of surreal visual poetics on several examples. I will describe the influence of surrealism on theatre in general and in Czech Republic and I will evaluate how (and which) much of these methods were used in the process. Analysis of and attempt to reconstruct the stage adaptations of Juliette ou la Clé de songes based on gained informations. Withdraw the results.
In the second part I will use knowledge from the first part in behalf of my own stage and costume design for the opera by Bohuslav Martinů: Julietta (the Key to dreams).
In the conclusion I will interface the results from the first part, with the final concept of stage design. The goal is to find out, if the gained information had effect on the concept of the stage design.
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Alfred Jarry: Ubu Roi - Costume Research and Design
Pinkavová, Eleanor ; ZBOŘILOVÁ, Jana (advisor) ; ZÁBRODSKÁ, Dana (referee)
The subject of this thesis is the comprehensive research and design of costumes for the play Ubu Roi by Alfred Jarry, including documentation of the creative process from the initial analysis of the play to the final designs.
This play was written in the late 19th century and is considered to be a precurser to Surrealism and Theatre of the Absurd. The story is about the brief and tyrannical reign of a hideous, backward individual named Ubu, who comes to power by murdering the Polish king. The play is notable for its rough playfulness, ruthlessness with regard to social and cultural traditions, its open-mindedness and unique use of language. On the surface it comes across as a silly farce, but it contains many deeper undertones that cause Jarry to be sometimes regarded as a symbolist writer.
This work is divided into a theoretical and practical part. The theoretical part deals with the author of the play, its content and the context in which it was written, and studies how it was staged in the past. It is not the aim to offer a coherent overview of the life of Alfred Jarry, his work, or the history of past productions of King Ubu. Instead, the information contained here is intended only as a documentation of the historical and theoretical research necessary to understand this work, which ultimately had an impact on the final designs.
Part two documents the process of developing the costume designs themselves. Initially it introduces the key considerations that arose from reading the play that affected the overall progress of the work. There follows an analysis of the characters and situations based on the text, and sources of inspiration. The main section describes the final designs of the set and costumes that are supported by attached images.
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F. M. DOSTOYEVSKY: THE IDIOT Costume Design
Tavelová, Helena ; VOHLÍDALOVÁ, Ivana (advisor) ; ZBOŘILOVÁ, Jana (referee)
This thesis F. M. Dostoevsky: The Idiot deals with the life of the author with an emphasis on his work, which is always current, because it concerns itself with increasingly vital topics related to human life. The thesis also deals with issues that are key to understanding Dostoevsky and his perception of the world and discusses the previous staging of the play in the Czech Republic, focusing on the work of the director Miroslav Krobot. Primarily, however, this thesis represents a detailed analysis of Dostoevsky's The Idiot and a detailed analysis of the individual dramatic characters within the play, with a focus on their internal processes and relationships, which are then expressed through costume.
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Edward Bond: The Sea
Błaszczyk, Dominika ; ZBOŘILOVÁ, Jana (advisor) ; VOHLÍDALOVÁ, Ivana (referee)
In the first chapter of my master's thesis, I consider the life and works of Edward Bond. However, rather than approach this topic from a purely chronological perspective, I consider Bond's unique artistic activity and place it in its critical and historical context. My research emphasizes the significance of Bond's artistic activity in the successful fight against censorship in British theatre.
My second chapter explores the idea of 'cool drama.' In this section I utilize commentary from preeminent dramatists in the 1990s who spoke about Bond's pervading cultural influence. I also outline my own views on 'brutal drama' and consider its influence.
The third chapter of my work focuses on Bond's 1973 drama 'The Sea,' including the origins of the text, its historical context, and the main dramatic problems of the work. Here I also delve into a summary and analysis of the text, not only from a historical perspective, but also according to my own interpretive analysis. This chapter further contains a cataloging of international productions of 'The Sea', as well as original theoretical analysis of two performances produced in the Czech Republic. I examine and contrast these two productions from the perspective of direction, space, and costume design.
In chapter four, I present the practical part of my work while laying out and defending the intellectual and creative concepts behind it. This chapter is divided into several sections. In section A, I present my key interpretive themes, meticulously analyzing the issues and illuminating the way in which they are reflected in my work. I also present the historical background and analysis of my main ideas.
I continue in chapter four with a presentation of the sources that were essential influences for the visual elements of my work. I follow with a detailed description of how these sources served as particular artistic solutions in my creative process. I closely analyze their particular dramatic characters, their development and their interactions. I describe the costumes and carefully outline their concrete qualities, such as their materials, colors, silhouettes, movement, and historical elements, all of which are supported with visual attachments. Following this, I consider the search for space of dramatic quality, as well as the overall perception and treatment of particular scenes. I explain each dramatic situation and support it with photographs.
The introduction and conclusion contain the opening and final thesis, and I provide an overarching reflection of the work's quality and importance. I conclude the work with a message of gratitude to those who supported me during this project, as well as a list of my research sources.
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