National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Contact microphones and their use in film practice
Bláha, Adam ; NEUBAUER, Petr (advisor) ; Titěra, David (referee)
The goal of this thesis is to introduce its reader to the problematics of various types of contact microphones in the field of film production. Rather than on technical specifications, it is focused on practical aspects of their use. It is dealing with specifics of handling such microphones, characteristics of the sounds recorded by them and with the possibilities of their use regarding the dramaturgy of films‘ soundtracks. Practical part of this work contains examples of these sounds as a demonstration of the claims, that I am introducing throughout this text.
Aspects of building the sound design of film sound track
Titěra, David ; Bláha, Ivo (advisor) ; Neubauer, Petr (referee)
This diploma theoretical work is designed as an insight into the dramaturgical process of building film sound track. The first part deals with transmission of audiovisual information to the audience and its way of perception. The second part deals with specific phases of dramaturgical work. It focuses primarily on postproduction, particularly on issues of creative sound editing. Numerous audiovisual demonstrations are attached.
Dramaturgical work with surround channels
Titěra, David ; Moudrý, Jiří (advisor) ; Moravec, Ondřej (referee)
This bachelor theoretic thesis is a basic introduction to the surround sound domain. Using regressive analysis of short previews of feature films it should show some ways of dramaturgical work with surround channels. The first part pursues basic theory of surround sound and the second examines specific use of surround channels for each part of film sound track.

See also: similar author names
1 Titěra, Dalibor
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