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The part of the Ta Fantastika theatre in the changes of the grant system of the Prague City Council
Vlčková, Jovanka ; Srstka, Jiří (advisor) ; Prokop, Petr (referee)
This bachelor paper describes the ?Ta Fantastika? theatre and the role it played in the changing of the grant system during the years 2007-2010. The initial part of the paper describes the theatre in the light of its founding, direction, operation, and legal identity. Furthermore, the paper is focused on the analysis of the grant system in relation to filing a suit against the Czech Republic in an arbitration court by the then Director of the Theatre, Petr Kratochvíl, and the following sequence of events: the introduction of subsidies per ticket, protest expressed by the theatre community, the controversy around the functioning of grant systems in the future and the exit of Director Kratochvíl from Ta Fantastika.
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COMPARISON OF ANGLO-SAXON AND CONTINENTAL AGENCIES
Kučerová, Tereza ; Srstka, Jiří (advisor) ; Bednářová, Veronika (referee)
In my diploma work I focused on system of function of talent agencies. On one side there are systems of continental talent agencies, mostly based in Europe and on the other side are Anglo-Saxon system that are used by most of the agencies in Great Britain and United states. During my observations I intended to reveal the mechanisms and their differences. On first part of my study describe more general cases in order to help readers initiate into the problematic. In this part I define terms like talent agency, agent than more closely specify artist, who are being represented etc. Further on I focus on relating economical and law issues, on which bases agent and talent agencies work. In second chapter I deal with talent agencies from continental environment. Here I name and specify in detail all prominent and important European agencies.
Second part of this chapter I dedicated to Czech Republic, its historical evolution of talent agencies and its present. Next chapter focus on Anglo-Saxon agencies and towards of my work I evaluate common and different characteristics of these agencies operating in two different environments.
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Theatre as an Investment Activity
Novotný, Tomáš ; Dvořák, Jan (advisor) ; Srstka, Jiří (referee)
Theatre as an investment activity has a very long tradition. The promising development of these activities in the Czech republic was interrupted in 1945 ? 1989 when the theatre of public service became the most common type of theatre. Therefore, in my thesis I focus on the history of the Czech and world theatre in the form of private-business mainly in its best known form ? the Broadway musical.
The creative industry has had a lot of impact on changes in the perception of all cultural aspects. Having been included in the creative industry, the theatre gains another dimension ? it becomes a modern part of the economy that does not build on agriculture and industrial production but on people?s creative potential.
With the theatre, mainly in its private-business form, is closely related the topic of its financing. You can find examples of successfully functioning theatres in the form of investment activities on both sides o the Atlantic Ocean ? in New York as well as London.
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Additional theatre activities
Janková, Markéta ; Svobodová, Doubravka (advisor) ; Srstka, Jiří (advisor) ; Čuříková, Tamara (referee)
This thesis deals with additional theatre activities. I define the term ?additional activities? in the context of Czech laws in effect in the first part of the paper. Laws regulating all possible legal forms of theatre companies and their duties in differentiating and separate accounting of additional activities are especially brought to readers? attention. In the next two parts of the paper I examine tax laws (income tax law and value added tax law in particular) and trade law, which are closely related to additional activities. Ways of applying additional activities in practice in chosen theatres are described further. In these chapters I don?t limit myself to side activities run by nonprofit companies by law. I also notice similar activities of theatres operated like commercial enterprises. I analyze and summarize information raised in investigated theatres and point out main imperfections of legal system on final pages.
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Culture In The Army Of The Czech Republic
Sochová, Tereza ; Srstka, Jiří (advisor) ; Čuříková, Tamara (referee)
This bachelor thesis aims to acknowledge the reader with the specifics and function of the cultural organizations based and managed by the Army of the Czech Republic, with its management and their further usage. Furthemore it briefly surveys festivals organized by the ACR as well as the civil organisations which are oriented on the cultural activities of the army. The thesis is divided to the following parts: history of the last fifty years of culture in the czech army and secondly on the recent tendencies oriented mainly on the military bands as they are the most significant part of the army cultural politics. One of those is the Marching band of the town Tabor which is used as a model situation to describe managment of such a cultural organization which is operated under the legislative of the czech army. The main goal of this work is to justify army culture organizations and to point out that those are an important part of the czech culture scene in both historical and in the present context.
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Scenic music in theatre performances
Košut, Viktor ; Srstka, Jiří (advisor) ; Ostrouchov, Petr (referee)
Scenic music may be conceived not only as a special artistic phenomenon intervening the area of theatre and music, but also as a quite complicated legal category. The point of my thesis is to appreciate and define scenic music in the eye of arts, theory and law, and then to entitle and analyze problems caused by differences among approaches of particular academic branches and also by insufficient or unsuitable legal regulations inductive of complications or vagueness in the course of rules of law aplication in day-to-day theatrical practice.
The accent si preferably put on the most exact submission of scenic music into the theoretic frame, which is able to distinguish scenic music used in a theatre performance from a music part of a musical-dramatical piece. The focus point consists in the composer of scenic music and also in his relationship to the director of a theatre performance and to the theatre instituition. The thesis tries to clasifficate and categorize scenic music from the eye of several kinds of licencing. The closing chapters follow modifications of scenic music and the question of collectiv licencing.
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Abonement
Gregor, Jan ; Čuříková, Tamara (advisor) ; Srstka, Jiří (referee)
Introduction of the work explains method of the analytical part. Then are definied the most important notions. Next chapters begin with short historical view and reassumes with description of abonement creating procedure. There are explained three fundamental pillars of abonement. Also thera are more details of abonement structures, pricing strategies, distribution and general conclusions of abonement building. Most important part is the analytical one. In the begining there are quickly briefed basic results. First is description of possible typology of abonement groups. Also some typical groups are presented. The end is composed of parts with interesting abonement groups and of some part with most interesting theatres. Whole work is completed with statistic tables, web site's screenshots.
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