National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Jiří Frejka (1904-1952)
RAUCHOVÁ, Jitka
This thesis called Jiří Frejka (1904-1952) tries to get to know the personality of Jiří Frejka and put it back to the cultural and political context of the period of the first half of the twentieth century. As the creator of the original directional poetics Jiří Frejka contributed very much to the development of the Czech theatre, but his theoretical works, in which he helped to define the new direction of the Czech theatre above all in two postwar years, are also very important. The presented work is based on the biographic plan, it is difficult to distinguish work and life in the case of Jiří Frejka. The chronology of his life becomes the main them of this thesis ? the childhood, the growing up, first directional works connected with the early period of the Czech avantguarde theatre, the activity in the National theatre, the artistic leadership of the Municipal Theatres of Prague and finally the epilogue in the theatre of Karlín. Three main chapters then correspond to this chronology. Two interludes, which are interested in the Frejka´s writer´s works and his participation in the constitution of the modern shap of the theatrical school systém, are inserted among.
Theatre avant-garde in context of Czech society during 1920s
RAUCHOVÁ, Jitka
This thesis deals with the phenomenon of the Czech theatre avant-garde not only in the theatrical connection but above all in the broad cultural-storical context. Only small attention has been paid to this theme so far. After an indispensable definition of the topic and after the critical source and literature analysis there is a chapter concerning the nature of the middle europe avant-garde, the local and time definition of the topic and at last the mutual relationship between the left-wing orientated avant-gard art and the political practise by the Communist Party of Czechoslovakia. The second chapter is focused on the general context of the Prague theatre life of the first half of the twenties and on early activities of the producer Jindřich Honzl. The following chapter attends to the beggining of the theatre avant-garde, which is connected with the Prague State conservatoire of music. There si also an important part that analyses contemporary interests and special likings, which were participating in the final shape of the theatrical expression. Next two chapters deal not only with theatrical performances but try to put the theatrical poetics of avant-garde theatres to broad social connections.

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2 Rauchová, Jana
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