National Repository of Grey Literature 205 records found  1 - 10nextend  jump to record: Search took 0.00 seconds. 
Neogothic in sacral architecture of Prague
Marešová, Marie ; Czumalo, Vladimír (advisor) ; Pech, Milan (referee)
This bachelor thesis deals with neogothic prague sacral architecture and its based on two churches of new prague towns. First part is devoted to evolution of Prague in 19th century and to the position of the Catholic Church as builder in this period and second part summerizes a the concept of Gothic architecture in art history and also problems of historicism in architecture. The crux of the matter this thesis create analysis of three churches in context of three newest prague towns. It's church of St. Ludmila in Royal Vinohrady and church of St. Antonín Paduan in Holešovice-Bubny. The final chapter is going to summerize basic attribute of neogothic in prague sacral architecture, which were deduced from the comparison of these churches.
Kiss of the Death in Czech fine Art 1895-1918
Tomášková, Klára ; Bendová, Eva (advisor) ; Pech, Milan (referee)
In this bachelor's thesis, I will present theme of a kiss in different perspective other than classic kiss of love, between a man and a woman. I will deal with the kiss as a sign of death. I focus on Czech modern art in the years 1895 - 1918. Kiss, in this unusual meaning, we can find, for example in the form of the so called angel's kiss, signifying the departure of the soul to the other world. We observe this scene in the painting Světice by Josef Mandl from 1905, besides the painting itself, we will explain the symbol of the deadly angel's kiss as such. The second chapter of the work refers to the key topic related to the kiss of death, the subject of Judas kiss. In Christianity, specifically in the New Testament, Judas Iscariot marks Christ with his kiss, thereby condemning him to death. This theme can symbolize not only death but especially betrayal. In Czech modern art, it can be analyzed in the painting of the same name by Jan Konůpek from 1912. I dedicate the last chapter of the work to a frequent symbolic theme, the kiss of death in the form of a kiss by skeleton. This theme, also popular in Edvard Munch's work, resonates in Czech art in the work of Bohumil Kubišta, The Kiss of Death, from 1912. The method of my work will be the description and analysis of the mentioned works and their...
Analysis of Russian symbolism in fine arts through fairy tales in the 70s and 90s of the 19th century
Polichshuk, Stanislav ; Bendová, Eva (advisor) ; Pech, Milan (referee)
People have long been attracted to mystical stories. Russian fairy tales, saturated with Russian mysticism and symbols, deserve special attention. These works significantly contributed to the formation of Russian symbolism as a stylistic expression. The work examines the connection between Russian fairy tales and the emergence of an independent artistic style in painting at the end of the 19th century - Russian symbolism through the personalities of artists Viktor Vasnetsov, Mikhail Vrubel and Viktor Borisov-Musatov. The subject of the work will also be a chapter on the historical, political and social situation of Russia in the 1870s and 1890s, which influenced the emergence of style together with artists. How did the elements of symbolism manifest themselves in other Russian art? Who exactly were avant-garde artists influenced by symbolism? This bachelor thesis will look for answers.
Galerie bratří Čapků and its exhibition activities in the second half of the 1960s
Micková, Natálie ; Bendová, Eva (advisor) ; Pech, Milan (referee)
The diploma thesis deals with documenting and presenting the exhibition concept of the Brothers Capek Gallery in the second half of the 1960s and at the same time defining the space it occupied among other Prague galleries in the observed period between 1965 and 1970. It focuses on the founding personalities and recalls important political, legal and cultural events that fundamentally influenced the artistic and exhibition activities of the gallery. The exhibition catalogues of individual artists and creative groups with introductory texts, invitations to openings and reviews in the professional and daily press have become an important aid to understanding the gallery's exhibition programme and interpreting individual exhibitions, illustrating the overall scope of the gallery.
Exlibris and its meaning in the work of Vladimír Komárek
Trnková, Anna ; Bendová, Eva (advisor) ; Pech, Milan (referee)
This bachelor's thesis focuses on the concept of a bookplate or exlibris and on the position it occupies in the work of Vladimír Komárek, one of the most prominent personalities of the 20th century exlibris scene in Bohemia. The paper will first introduce basic information about exlibris, including a brief development, history and collecting, while also addressing the question of what role it plays in the contemporary art scene. The second part of the thesis will be dedicated to Vladimír Komárek's exlibris in the context of his graphic work as well as his distinctive style and social nature, thanks to which he was asked to create around 650 bookplates. Special attention will be paid to selected customers, under what circumstances the exlibris was created for them and what subjects were used in them.
The Cathedral of Saint Vitus in Prague in the Sketches of Antonín Slavíček
Kašperová, Karolína ; Bendová, Eva (advisor) ; Pech, Milan (referee)
The bachelor thesis focuses on the role of sketches in the work of Antonín Slavíček. As an exemple of his work is a sketch of gothic building of the Cathedral of St. Vitus in Prague, to which he devoted intensively at the end of his life. There are total of 11 preparatory sketches and studies for the painting. In the first part (chapter 1-3) of the work, the influences that formulated the painting of this artist will be analyzed, but mainly the sketch itself will be analyzed and also its essence will be described here in the fine arts, especially in the modern arts. The second part (chapter 4-5) will deal with the comparison for Slavíček of an atypical motif of architecture and his famous landscape theme, the analysis of individual sketches and the key question - to what extent did the painter base his sketches in the final work? What role did the sketch play in his work? None of the monographs devoted to Antonín Slavíček completely discuss this topic. Keywords Antonín Slavíček, skica, chrám sv. Víta, Mařákova škola, krajinomalba, Kameníčky, impresionismus, plenérová malba
Věra Nováková in dialogue with Pavel Brázda
Vašáková, Aneta ; Bendová, Eva (advisor) ; Pech, Milan (referee)
My bachelor's thesis concentrates to life and mainly to creation of Věra Nováková, Czech painter, illustrator and sculptress who creates from 1940s. One of my main concerns in this thesis is an analysis of her various artwork rich in symbols, frequently with religious motives. I also explore her work in dialog with her husband, Pavel Brázda. He was a Czech artist, same as Věra Nováková and her relationship partner since their studies in Academy of Art in Prague. They affected each other in their art creation and that is what I display on few concrete examples of their pictures. In other part I write about exhibitions of Věra Nováková, the exhibitions only of hers but also about those where she exhibited with Pavel Brázda but also with another artists. Key words Pavel Brázda, Věra Nováková, Figurate painting, symbols, playing with letters
Michael Rittstein and his Stuido Painting III at the Academy of Fine Arts in Prague
Heřmánková, Klára ; Bendová, Eva (advisor) ; Pech, Milan (referee)
The aim of the bachelor's thesis is the stuido Painting III of the Academy of Fine Arts in Prague in the years when it was under the leadership of Michael Rittstein, 2001-2018. The work focuses on Michael Rittstein as an artist and pedagogue and, in connection with that, on his students. Thus, the work follows six generationally different students in a cross-section of 17 years of Rittstein's work at AVU, which combines graduation from his studio, a certain type of figure painting and reflection on the art and time of the 70s and 80s. They are Alena Anderlová, Karel Jerie, Martin Salajka, Igor Grimmich, Tomáš Jetela and Jan Heres. Based on interviews with the given artists, the thesis deals with Michael Rittstein's form of teaching, relationships in the studio, overall relationships at AVU during Rittstein's time there, as well as Rittstein's influence on his students and their current work.
Photographical Phenomenon UrbEx or Abandonment in Photography
Vacková, Aneta ; Bendová, Eva (advisor) ; Pech, Milan (referee)
The bachelor's thesis focuses on the photographic phenomenon of Urban Exploration, also known as "UrbEx". The bachelor's thesis deals with the question of why places remain abandoned and compares the Czech and general foreign approach to urbex. The aim is to find out whether "city explorers" are able to help abandoned buildings with their photographs. First, terms closely related to urban research such as industry, taphophilia, graffiti and psychogeography are defined. History from Romanticism to the present is also presented. Briefly mentioned are figures which are connected to exploring of abandoned places, such as André Breton, Guy Debord, Jeff Chapman and groups that helped shape the phenomenon, i.e. the San Francisco Suicide Club, Action Squad, Cave Clan and Diggers of the Underground Planet. Pripjať and so called Chtâteau Congo were chosen from the world demonstration of urbex. However, most attention is paid to buildings in the Czech Republic, from where were chosen pewter shaft Rolava and St. George in Luková, which is an ideal example of how urbex can in some way help to save abandoned buildings. Keywords Urbex, exploration, abandoned places, photography
Jan Steklík as an Artist and a Founder of the Crusaders' School
Jiroušková, Markéta ; Čechura, Jaroslav (advisor) ; Pech, Milan (referee)
This thesis discusses the artist Jan Steklik and the Crusader school of pure humour without the joke. In the introduction, the political situation and visual arts during the normalization period are presented, then the origin and history of the Crusader school is introduced. These include Karel Nepras, Zbynek Sion, Eugen Brikcius or Helena Wilson. All of their most important projects are presented. The second part of the work is devoted to Steklik himself. First, his biography is presented, which summarizes his life from his childhood, his studies, to his last exhibitions. Then his role in the Crusader school is discussed in detail. Finally the last part of the thesis is dedicated to his art. His beginnings, drawings, land- art projects and exhibitions are as well. The aim of this work is to introduce the personality of Jan Steklik not only as an artist, but also as a person who brought humour into the grey socialist society.

National Repository of Grey Literature : 205 records found   1 - 10nextend  jump to record:
See also: similar author names
9 PECH, Martin
8 PECH, Michal
2 Pech, Marek
9 Pech, Martin
8 Pech, Michal
4 Pech, Milan
4 Pech, Miroslav
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