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Divine and human or the devotional image in the 14th century focused on the evolution of the Pieta
Cimler, Čestmír ; Royt, Jan (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
This Bachelor Thesis refers to the genesis of new types of art pieces which were created to excite more emotional experience in the audience connected with the suffering of Jesus and Virgin Mary.Those devotional images like Mystic Crucifiction, Pieta or Maria Gravida began accruing at the turn of the13th and 14th century in the milieu of mendicant monasteries. This Thesis is especially focused on iconography of the Pieta. The mourning Virgin Mary, holding body of the dead Christ is actual theme throughout centuries, expressing the suffering from the lost of her only son. During the 14th century was the theme of Pieta divided into three types (vertical, horizontal and diagonal). Apart form the works of Wilhelm Pinder and Lech Kalinowsky this theme haven't been still compiled. The aim of this thesis is explanation of the terminology of devotional images and it's creation according to the present specialized literature. The main idea of the Thesis is brief clarification of the genesis of iconography of the Pieta (pointed to the three examples from the Czech Republic) and indication of it's function and potential background of creation in the medieval monastic spirituality.
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Reception of Italian Renaissance forms of architecture in Bohemia
Volfová, Kateřina ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The Bachelor's thesis deals with reception of Italian Renaissance forms of architecture in Czech. The base of this thesis consist in studying architectural theories. The first part of this thesis is focused on theories by Roman architect Vitruvius and theories by Renaissance architect Leon Battista Alberti. In his work Alberti used the principles of Vitruvius but he updated it. This thesis also includes descriptions of Florentine buildings which follow the principles and were projected by Alberti. The major part of this thesis is dedicated to beginnings and acceptation the Italian Renaissance forms of architecture in Central Europe. Trough Hungarian royal court these forms came to Czech and at the beginnings were applied as decorative elements. Keywords reception, Italian Renaissance, architecture, theory, Bohemia
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SUBJECTS OF ANTIQUE AND CHRISTIAN VIRTUES AS A PART OF STUCCO DECORATION OF BOHEMIAN AND MORAVIAN RENAISSANCE RESIDENCES
Junková, Radka ; Oulíková, Petra (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Radka Junková: Subject of antique and christian virtues as part of stucco decoration of bohemian and moravian renaissance residences Abstract The dissertation is focusing on progression renaissance pargeting on manor houses in Bohemia and Moravia. These houses were usually owned by important internal players in politics. Specifically is following motives of antique and christian virtue in sense of humanist feeling this epoch. Between individual houses is possible to find connection caused by Italian inspiration patterns. Simultaneously is possible to observe typical transalpine individuality and realy strong Prague courtly environment. The effort of this text is create an opportunity how to compare pargeting topic in general context. That is why is not focus only on one specific building and characteristic wall decorations,but shows a chronologically development of changes perceptions and ideas of virtue pargeting technique. This all the labour presents on the background of characteristics individual customers. Keywords Nelahozeves, Kratochvíle, Bechyně, Bučovice, ctnosti, stucco decoration, Titus Livius, Antonio Brocco, Antonio Melana, Hans Mont
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The Picture Gallery at the Castle in Rychnov nad Kněžnou
Adamová, Klára ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The subject undertaken in my dissertation work is the gallery painting collection from the aristocratic family 'Kolowrat', which is located within the family's palace in Rychnov nad Kněžnou. The Kolowrats established their gallery in the 16th century, the foundation of which was made to contain family member portraits. During this time portrait paintings comprised the main element and went on to create the portrait collection. The collection contains the oldest Bohemian aristocratic portraits from the Renaissance with portraits influenced by artists from the court of Emperor Rudolf II. It includes portraits from important artists as Karel Škréta, David Schultz or Philip Ch. Bentum and more. The portraits of family members document the history of the Kolowrat clan through the ages. At first this dissertation describes the history of the gallery and goes on to present select portraits from the beginning of the gallery until the 18th century. Keywords Aristocracy, the Rychnov nad Kněžnou palace, the Kolowrat family gallery, portrait collection, aristocracy portrait.
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The Renaissance Reconstruction of church of the Saints Peter and Paul in Kralovice
Lorencová, Veronika ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The Renaissance Reconstruction of church of the Saints Peter and Paul in Kralovice Abstract This bachelor thesis deals with the renaissance reconstruction of church of the Saints Peter and Paul in Kralovice. The original gothic church was rebuilt in the 1580's by Florian Gryspek of Griesbach who was the secretary of the Royal Chamber of Bohemia. Although the disposition of the original gothic church was largely preserved, there was the extensive reconstruction which had several phases. An Architect of the reconstruction is still unknown. Many researchers assume that he was an artist from Prague court circle. Florian Gryspek was in contact with these artists due to his high position. With regard to several phases of the renaissance reconstruction there is possibility that more architects worked here. The thesis is primarily focused on the architecture of the church. It tries to summarize the previous research and include the church into the context of Czech sacral architecture and it pays attention to the other buildings of Florian Gryspek. Keywords Architecture, Renaissance, Kralovice, Church of the Saints Peter and Paul, Florian Gryspek
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Granovský Palace in Ungelt
Babická, Lenka ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Granovský Palace in Ungelt Abstract This Bachelor's thesis deals with the Renaissance palace, which Jakub Granovský Jr. from Granov let to build in the area of Týn merchant's courtyard in the Old Town of Prague after 1558. The palace complex consisted of today's houses number 639, number 640 and partially intervened in the house number 1049. Existing literature refers to Granovský Palace as a milestone and the beginning of a new period within Renaissance architecture in the Old Town of Prague. There is also discussed a participation of Prague courtly circle. This thesis follows not only the Renaissance reconstruction of the palace, but also the history and development of the merchant's courtyard. It examines the historical context as well as the figure of the householder and the issue of participation of courtly circle on the construction and decoration of the palace. It focuses on the most outstanding artistic elements, such as rusticated portals and a courtyard loggia covered with chiaroscuro paintings attributed to Francesco Terzio.
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Picture of the last judgment in Renaissance Bohemia
Hejná, Tereza Rozálie ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
In my bachelor thesis I deal with portrayal of the Last Judgement in the Czech Republic in 15th -16th century. The first part was conceived as an introduction to Last Judgment - the Last judgment as a socio-cultural phenomenon; causes and history showing the last judgment; iconological-iconographic description of the subject. In the second part I'm devoted to the main topic, portrayal of the last judgment in Bohemia in the 15th-16th century. I'm trying to a compendium of all the works of art in our country, and they are especially frescoes. I also deal with the causes of their emergence, seeking their sources of inspiration and subjugation the iconographic-iconographic analysis. Then compare the individual works, not only among themselves but also with older parts that originated outside our area.
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Castel Brtnice and its Renaissance design in the second half of the 16th century
Zahrádková, Lucie ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Castel Brtnice and its renaissance design in the second half of the 16th century This bachelor thesis deals with the Brtnice castle, located on top of the hill above the Brtnice town, in Western Moravia, the part of Vysočina county now. The castle was founded in the 15th century of Zdeněk of Wallenstein and it was built in the Late Ghotic style. During the rule of his son Hynek Brtnický of Wallenstein (in second half of the 16th century) was conducted reconstruction of the castle into Renaissance chateau. Hynek was rich lutheran and humanistic educated lord and wanted appropriate representative residence in style which he recognized during his diplomatic travels. The style of the Italian Renaissance most impressed him. Remarkable part of the reconstruction were a arcade loggie, which are situated on the third courtyard of the chateau. Main topic of this thesis focus on period of Renaissance reconstruction, the person of donator and main architect, which could be North Italian architect Baldassare Maggi. Keywords: Brtnice - castle - Baldassare Maggi - czech renaissance - architecture of the second half of the16th century - Hynek Brtnický of Wallenstein
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Albrecht Dürer - Apokalypse
Výborný, Michal ; Royt, Jan (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The work draws the sight nearer to Dürer's Apokalypse from the iconographics point of view, dividend to two parts - main title and Torture of saint John with respect to the historical events and influence of prominent people determining the times when the work was created. Review of bibliography of the autors who dealed with the topic of Apocalypse in the past is presented here in contrast with contemporary view of this topic. Iconographics works bring us to the 16 lists, wich wont to prepare a ikonology desribtion to the whole work. The conclusion of the work deals with interpretation of The Apocalypse as a planned word for the forthcoming new confession - Protestantism.
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