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Jiří Chalupa and his fairytale world in Czechoslovak and Czech Television
Valová, Nikola ; Kruml, Milan (advisor) ; Růžička, Daniel (referee)
The diploma thesis depicts the personality of Jiří Chalupa and his fairytale work in Czechoslovak and Czech Television. It presents a brief biography of this representative of children's television production and explores his personal style. In addition to the analysis of eight Chalupa's fairy tales, this thesis deals with television fairy tales in general, their transformation and significance. The first part of the study summarizes the theory of the fairy tale from a literary point of view. This is followed by a historical excursion to Czechoslovak and Czech Television with an emphasis on political influence. In a separate chapter, it focuses on television work for children, its representatives, changes and importance. In the next section, attention is shifted to the film and television adapting of fairy tales. The second half of the work is devoted to the life and work of Jiří Chalupa and the analysis of TV fairy tales, made according to his screenplays.
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Is success linked to controversy? At an example of South Park TV series
Martinek, Jan ; Kruml, Milan (advisor) ; Šmuclerová, Libuše (referee)
Univerzita Karlova, Fakulta sociálních věd / Smetanovo nábřeží 6, 110 01 Praha 1 info@fsv.cuni.cz, tel: 222 112 111 www.fsv.cuni.cz Dle čl. 4 Opatření rektora č. 6/2010 o Zpřístupnění elektronické databáze závěrečných prací http://www.cuni.cz/UK-3470.html a čl. 1 Opatření děkana 29/2010 se z časového hlediska závěrečné práce dělí do tří skupin: a. "nové práce", tj. práce odevzdávané k obhajobě počínaje 29. 9. 2010, b. "starší práce", tj. práce odevzdané k obhajobě od 1. 1. 2006 do 28. 9. 2010, c. "práce před rokem 2006", tj. práce odevzdané k obhajobě před 1. 1. 2006. V tomto případě jde o "starší práci" odevzdanou k obhajobě od 1. 1. 2006 do 28. 9. 2010. Omlouváme se, ale dokument není v elektronické verzi k dispozici.
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The adaptation of foreign TV formats on Czech television from the 90's until present time
Chudárková, Adéla ; Kruml, Milan (advisor) ; Štoll, Martin (referee)
Teoretickým východiskem této práce je fenomén globalizace, který pronikl do všech domén včetně mediální, jejíž součástí jsou právě televizní formáty, o kterých tato neboť v sobě mísí prvky globální a zároveň lokální kultury, kdy na základě zakoupení zahraniční licence vzniká celá řada lokálních verzí, jež jsou lokálními specifiky dané kultury. Jedná se o stále vzrůstající h počátků, spojených s formáty, rozštěpil mezi všechny žánry, včetně dramatické tvorby. Tato práce se soustředí na adaptace zahraničních televizních formátů v České televizi. Mapuje nejen vývoj tohoto trendu v jediném českém veřejnoprávním televizním médiu, ale taktéž se věnuje důvodům, které vedou ke koupi zahraničních licencí pro médium, jehož výsadou by měla být původní tvorba. Právě otázka veřejnoprávnosti a s ní se pojící specifika výběru obsahu pro toto médium jsou pilířem této diplom
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Representation of Homosexuality in American Sitcom, as exemplified by Will & Grace and Modern Family
Hofmanová, Zuzana ; Kruml, Milan (advisor) ; Štoll, Martin (referee)
The diploma theses "Representation of Homosexuality in American Sitcom, as exemplified by Will & Grace and Modern Family" examines the portrayal of minority groups on television. Initially vilified as perverts and abominations, homosexual individuals are now seen as complex characters that buck older stigmatization and stereotypes. These changes can be exemplified and documented across different popular genres currently on television. However, a sitcom is a genre defined by specific rules. Thanks to its simple, recognizable formula, a sitcom is easily adaptable abroad. It has the ability to quickly respond to current social issues. It is also defined by a specific relationship with humor which largely consists of generalizations and simplifications. In sitcoms, stereotyping is readily applied to all minority groups, homosexuals being no exception. Considering the recent development in the representation of homosexuality on television, the question is: how does the conversation about homosexuality transfer to the sitcom? Does the change in conversation go hand-in-hand with changing the existing stereotypes that are specific to the genre? How does contemporary context affect the representation of homosexuality in sitcoms? This thesis aims to answer these questions by analyzing two sitcoms: Will &...
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Adapration of international cooking show in the Czech Republic
Ernygrová, Veronika ; Kruml, Milan (advisor) ; Zábrodská, Kristina (referee)
Veronika Ernygrová Bakalářská práce Adaptace zahraničních cookign show v ČR 2017 Anotace (abstrakt) Bakalářská práce Adaptace zahraničních cooking show v ČR se zabývá především rozdíly provedení licencovaných televizních formátů kulinářských pořadů. Práce začíná vysvětlením pojmu televizní formát a reality TV. Pokračuje kategorizací jednotlivých subžánrů reality TV a poté i subžánrů cooking show. Rozdíly při přejímání licencovaných formátů jsou v práci ukázány na pořadech Česko vaří s Pohlreichem: ŽIVĚ, Ano, šéfe!, MasterChef Česko a Prostřeno. Znalost jednotlivých formátů u diváků je zjišťována v dotazníkovém šetření.
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Definition of sitcom genre based on similarities in iconic schemes sitcom
Švecová, Tereza ; Kruml, Milan (advisor) ; Hroch, Miloš (referee)
Cílem této práce je definovat žánr sitcom tak, jak se jeví dnešním televizím divákům. Výchozími seriály, které byly podrobeny analýze, se staly seriály Přátelé (Friends), Dva a půl chlapa (Two and a Half Man), Jak jsem poznal vaši matku (How velkého třesku (The Big Bang Theory), které je v současné době možné shlédnout i na česky vysílacích stanicích. V teoretické části je vyložena stručná historie žánru sitco natáčení tzv. tříkamerových (či multicamera) sitcomů, nastíněny jsou současné definice žánru sitcom i výchozí literatura. V praktické části byla věnována pozornost typologii sitcomů, výchozím premisám a statusu quo, pilotním dílům, skladbě epizody, práci s časem, epizodičnosti a serialitě, prostředí, hlavním a vedlejším postavám, složkám charakteru, hereckému obsazení, vztahům uvnitř skupiny, popkulturním odkazům hudbě i stylu humoru typického pro sitcom a oživovacím prvkům děje. Hlavním výsledkem této práce je komplexní popsání různých složek sitcomu a nalezení společných schématických prvků ve všech
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The transformation of presentation of the middle east populationin post-9/11 american films
Leimerová, Magdalena ; Kruml, Milan (advisor) ; Jirák, Jan (referee)
The master thesis named The Transformation of Presentation of the Middle East Population in Post-9/11 American Films aims to closely analyze eight chosen mainstream American films with the help of the combination of qualitative and quantitative methods. The plot of the observed films has to be placed in the Middle East, picture terrorism or contain the Arabs or Muslims as characters. On the basis of a wide range of criteria and the final comparison, the thesis focuses on the comparison of the Hollywood movies which were created before and after the terrorist attacks in New York in 2001. The theoretical chapters are dedicated to the introduction of the social construction of reality, stereotyping and one-dimensional description of the Arabs in Hollywood films and mainly to the deep introduction of West and Islamic culture, not only from the historic but also cultural and valuable point of view. The applied methodology follows after. The detailed analysis of the chosen films is accompanied by photographs and excerpts directly from the films to help readers to understand the differences as much as possible. This part is followed by the final evaluation of the analysis on the basis of the comparison of the observed criteria. The hypothesis is confirmed at the end but there are also some other important...
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Political satire in Saturday night live show
Stárek, Ondřej ; Kruml, Milan (advisor) ; Štoll, Martin (referee)
This thesis aims to explore the genre of political satire as presented in the US sketch comedy and variety show Saturday Night Live between the years 2008 - 2014 with the emphasis on the period in which two presidential and four congressional elections were held in the USA. The author proposes four main research questions. Question no. 1: How much time did Saturday Night Live devote to political satire? Question no. 2: What politicians were most often satirically portrayed on the show? Question no. 3: What political issues were most often satirically depicted on the show? Question no. 4: How were the politicians satirically portrayed? At the same time, the author tries to determine whether the show could through its political satire influence attitudes or even electoral behavior of its spectators. A quantitative content analysis was used as a primary research method. The work is divided into three chapters. The first chapter deals with the genre of political satire within the US television broadcasting. The second chapter focuses on the show Saturday Night Live. The research method is further specified and subsequently applied in the third chapter. The results of the analysis are placed in the tables whose interpretations provide answers to the research questions. Powered by TCPDF (www.tcpdf.org)
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Media costruction of reality in reality TV
Christovová, Nela ; Kruml, Milan (advisor) ; Štoll, Martin (referee)
This thesis focuses on the manner how a phenomenon often called "media construction of reality" occurs in the Reality TV. This popular television genre is known for mixing reality captured on an omnipresent camera together with fiction elements in order to amuse the audience. In the theoretical part, I will focus on the concepts that are crucial for this phenomenon such as Berger's and Luckmann's social construction of reality, gatekeeping or agenda setting. Also, I will describe the history of Reality TV as a genre and also will focus on main subgenres that can be seen on television these days. In the practical part, I will use narrative analysis to identify how the media are constructing reality in television programmes. The sample for the analysis will consist of 80 episodes from 11 different TV shows of American and British production. These have already spread out of their country of origin and are familiar to Czech audience from local TV channels. My main thesis is that media construction of reality can happen from the very beginning - i.e. from rules establishing to shooting and postproduction. All these phases will be analyzed in this paper.
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Docusoap - between documentary and series; adaptation of foreign practices in the Czech Republic
Freislebenová, Andrea ; Kruml, Milan (advisor) ; Géla, František (referee)
- 1 - Abstract The aim of this paper is to describe docusoap in relation to reality TV and its position in the world. Observe its development from the very beginning of creation and definition of television genres. It deals with the international practice shooting, its essential elements and subsequent applications within Czech programs included in the docusoap format. I analyzed its typical topics of the five monitoring programs within the Czech Television platform and concluded that the results of the most frequented phenomena here. Thanks to that, I could assess the popularity of selected topics for spectators and compare them with foreign productions. The output of the project is to create an image of this subgenre position in the Czech Republic and find other possible topics that docusoaps can deal with, even in the context of cross-genre borrowing. That will help us understand why this genre originated and what path its actions will continue to take and what copyright procedures, combined with social themes, and are considered attractive for the audience.
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