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Documentary Film from the Copyright Point of View
Fořt, Ferdinand ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
The aim of this thesis Documentary Film from the Copyright Point of View is to explore and evaluate copyright specifics of documentary cinema. Chapter One describes documentary film as a culture phenomenon with peculiar relationship to reality. It shows possible definitions and classifications and outlines some of the ethical questions connected with the documentary cinema. Then follows a brief excursion into the history of copyright protection of audiovisual works (both in the Czech Republic and in the international context), with emphasis on speciality of documentary films protection. Chapter Three examines terms audiovisual work and authorship of an audiovisual work as defined in effective Czech Act No. 121/2000 Coll. on Copyright and Rights Related to Copyright and tries to mark boundaries of these terms and its possible interpretation especially in relation to the documentary and other non-fiction films. Next chapter deals with the legal nature of protagonists of documentary or social actors which differs from legal nature of the actors in fiction films, because social actors does not perform artistic performances as defined in Czech Copyright Act. Subsequent Chapter Five analyzes protection of personal rights of social actors in documentary films which is governed by general protection of...
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Film Industry and the Federalization of Czechoslovakia
Fořt, Ferdinand ; Klimeš, Ivan (advisor) ; Czesany Dvořáková, Tereza (referee)
The main aim of this bachelor's thesis is to explore and describe changes in Czechoslovak film industry resulting from federalization of Czechoslovakia, which was implemented by Constitutional Act no. 143/1968 Col. On Czechoslovak Federation, effective from 1st January 1969. In its first part the thesis deals with general political atmosphere of fault year 1968 and with particular steps, which had led to the federalization. The second and the most essential section explores the process of separation of film industry on federal principles. The author takes into account legal acts, which implemented this separation and economical side of the separation as well as proposed measures, which were not put into practice and also partial matters connected with federalization such as level of integration of film distribution and foreign affairs. The third part focuses on federal division of Union of Czechoslovak Film and Television Artists, which was however shortly after cancelled by the new political power that had risen after occupation in August 1968. The last section presents brief excursion into the situation and organization changes (not only) in cinematography at the outset of so-called normalization.
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Film Industry and the Federalization of Czechoslovakia
Fořt, Ferdinand ; Klimeš, Ivan (advisor) ; Czesany Dvořáková, Tereza (referee)
The main aim of this bachelor's thesis is to explore and describe changes in Czechoslovak film industry resulting from federalization of Czechoslovakia, which was implemented by Constitutional Act no. 143/1968 Col. On Czechoslovak Federation, effective from 1st January 1969. In its first part the thesis deals with general political atmosphere of fault year 1968 and with particular steps, which had led to the federalization. The second and the most essential section explores the process of separation of film industry on federal principles. The author takes into account legal acts, which implemented this separation and economical side of the separation as well as proposed measures, which were not put into practice and also partial matters connected with federalization such as level of integration of film distribution and foreign affairs. The third part focuses on federal division of Union of Czechoslovak Film and Television Artists, which was however shortly after cancelled by the new political power that had risen after occupation in August 1968. The last section presents brief excursion into the situation and organization changes (not only) in cinematography at the outset of so-called normalization.
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Documentary Film from the Copyright Point of View
Fořt, Ferdinand ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
The aim of this thesis Documentary Film from the Copyright Point of View is to explore and evaluate copyright specifics of documentary cinema. Chapter One describes documentary film as a culture phenomenon with peculiar relationship to reality. It shows possible definitions and classifications and outlines some of the ethical questions connected with the documentary cinema. Then follows a brief excursion into the history of copyright protection of audiovisual works (both in the Czech Republic and in the international context), with emphasis on speciality of documentary films protection. Chapter Three examines terms audiovisual work and authorship of an audiovisual work as defined in effective Czech Act No. 121/2000 Coll. on Copyright and Rights Related to Copyright and tries to mark boundaries of these terms and its possible interpretation especially in relation to the documentary and other non-fiction films. Next chapter deals with the legal nature of protagonists of documentary or social actors which differs from legal nature of the actors in fiction films, because social actors does not perform artistic performances as defined in Czech Copyright Act. Subsequent Chapter Five analyzes protection of personal rights of social actors in documentary films which is governed by general protection of...
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