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THE PERSONALITY OF DANCE ARTIST
Cemerek, Jaroslav ; Eliášová, Bohumíra (advisor) ; Kubicová, Ivanka (referee)
Práce se zaměřuje na popis osobnosti tanečního umělce. Východiskem k tomu sloužila psychologie osobnosti. Protože se jedná o profesní analýzu, těžiště celé práce spočívá v rozboru nadání a schopností, které taneční umělec k výkonu své profese potřebuje. Struktura osobnosti tanečního umělce, jak je v této práci popsána, neodpovídá celkové struktuře osobnosti z hlediska psychologie osobnosti, ale jen její výsečí týkající se schopností osobnosti. Nadání (v práci synonymní s výrazem talent) je pojímáno šířeji a komplexněji než v obecném významu a přesahuje tedy v případě osobnosti tanečního umělce taneční nadání. Výsledkem práce se potom stává profil osobnosti tanečního umělce, tj. tanečníka, choreografa, tanečního pedagoga a tanečního terapeuta, v kontextu s jeho komplexním nadáním a schopnostmi.
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Choreografie a její výuka
Veverková, Kateřina ; Eliášová, Bohumíra (advisor) ; Eliášová, Bohumíra (advisor) ; Wiesner, Daniel (referee)
I spent long hours pondering about the topic of my master degree dissertation. I did not intend to opt for personality from the sphere of art, and thus the choice of the topic was not too easy. I searched for the subject about which not much has been written up to now and which would be closely related to my subject of study ? and that is choreography. I intended to take my own experience as a basis and get some inspiration from literature. Therefore I opted for topic Choreography and Teaching Choreography. However, following consultation with my dissertation tutor Mirka Eliášová I found out that literature needs to be taken as a basis to a larger extent than I initially assumed. I have endeavoured to understand and gather views of several choreographers and pedagogues and then bring them together as one entirety. Those concerned were primarily Jiřina Mlíkovská, Doris Humphreyová, Jarmila Kröschlová and Štefan Nosál.
I do not intend to list out and describe individual etudes that shall be performed during the teaching of choreography; my goal rather comprises comprehensive view on choreography and possibilities of teaching it. I also deal with many elements that are closely related to the choreography and the person of a choreographer. Some of these elements are elaborated into more details; some are addressed as a marginal subject only. Topics, which are more extensive and more detailed I consider the most important ones in relation to the choreography.
In addition to many books and university mimeographed I would like to proceed from my observations and experience, which I acquired mainly during my studies at the Music Faculty of Academy of Performing Arts. Other sources for my work will also include seminars that I undertook during dancing expertise. My dissertation thus includes also my personal experience, views and observations, which I acquired in the sphere of choreography not only as an author but also as the performer.
My dissertation also includes brief characteristics of choreography development and the person of choreographer as such, so that the choreographer?s function in the course of history becomes obvious.
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THE PERSONALITY OF CHOREOGRAPHER
Cemerek, Jaroslav ; Wiesner, Daniel (advisor) ; Kubicová, Ivanka (advisor) ; Eliášová, Bohumíra (referee)
Using personality psychology as my starting point, I make an attempt in this thesis at describing the personality of the choreographer. More
specifically, my prime concern on the pages that follow is the
choreographer?s talent, which is also why the structure of the
choreographer?s personality as described in this thesis does not correspond
to the (much more complex) structure of the personality as it is normally
presented in the branch of personality psychology. As regards the term
?talent?, it is used here in rather a broad sense, including not only the
choreographer?s ability to dance, but also the other components of his/her
talent
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Dance and its structure
Klívarová, Daniela ; Gremlicová, Dorota (advisor) ; Eliášová, Bohumíra (referee) ; Kovářová, Miroslava (referee)
The doctoral thesis is contribution to contemporary dance as a dance genre. It is focused on qualitative research made in framework of two volumes of international cultural exchange in the field of dance: Pointe to Point, Third Asia-Europe Dance Forum held in Tokyo, 2005, and Pointe to Point, Fourth Asia-Europe Dance Forum realized in Warsawa, 2006.
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Alwin Nikolais - choreographer and scenic visionaire of second half of 20.th. century
Celbová, Kristýna ; Eliášová, Bohumíra (advisor) ; Gremlicová, Dorota (referee)
In this thesis, named "Alwin Nikolais choreographer and scenic visionarist of second half of 20.th century", I wanted to look closely into choreographic work of Alwin Nikolais and focus on artistic komponent of his productions. I had the aim to analyse his most significant choreographies on the basis of videotapes, to envolve his essential phraseology and originaly way of visual conception. I was interested in his experimentation in the sphere of light design, costumes, movements and scenography, which had important impact on contamporary dance all over the world. I also mentioned his importance and legacy of his work and pedagogical activity.
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A RESEARCH ON ACITIVITY IN DANCE DEPARTMENTS OF BASIC SCHOOLS OF ARTS IN CHOMUTOV DESTRICT
Ratajová, Olga ; Kubicová, Ivanka (advisor) ; Eliášová, Bohumíra (referee)
This bachelor thesis explores activities in dance departments of Basic schools of Arts in Chomutov destrict. This thesis goes over history of each school, introduce teachers of dance departments, their style of work and those pupils who started their professional dance career. The main focus is in children dance companies, their work and their successes in various competitions. One part of this thesis is formed by the results of a survey among teachers of dance. The results show many teachers who are not sufficiently educated in dance pedagogy and their orientation in the field of contemporary dance is very poor.
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