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No Particular Title
Borovková, Magdalena ; Othová, Markéta (referee) ; Klímová, Barbora (advisor)
The topic of my work is space and its influence on our perception. I am interested in how this perception changes during time. I create small interventions that can remain overlooked as through they are on visible sites. The choice of particular interventions is based on my subjective experience with the location - which in this work is the building of our school. With my interventions, I intend to intensify the spectators consciousness of space and time - „here and now“ - and the complex perception the environment. Using photographic record, reflections on variuos surfaces, and point of view, I work with time and space. The main question for me was whether is there a way to „catch“ a moment and project it back into his site.
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No Particular Title
Borovková, Magdalena ; Othová, Markéta (referee) ; Klímová, Barbora (advisor)
The topic of my work is space and its influence on our perception. I am interested in how this perception changes during time. I create small interventions that can remain overlooked as through they are on visible sites. The choice of particular interventions is based on my subjective experience with the location - which in this work is the building of our school. With my interventions, I intend to intensify the spectators consciousness of space and time - „here and now“ - and the complex perception the environment. Using photographic record, reflections on variuos surfaces, and point of view, I work with time and space. The main question for me was whether is there a way to „catch“ a moment and project it back into his site.
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ART BRUT, ITS ESSENCE,MEANING AND RELATION TO FINE ARTS
BOROVKOVÁ, Magdalena
Fundamental question the thesis deals with is the cultural impact on the origin of a work of art. From this point of view some recent styles, such as Art-Brut, raise an issue. Is it possible at all to evaluate such artworks in the cultural context exclusive of which they were generated? The student's reflections are defined by two radical points of view. The impossibility of thinking of art outside the culture (aesthetic standards, theories, institutions) on the one hand, and theoretical attempts to consider the art free from a culture's ?suffocating jacket? on the other hand.
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