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A Night in the Mill
Topínková, Anita ; Havlíček, Jiří (referee) ; Zet, Martin (advisor)
Be moving, seek, hunt for sth, can´t find it so far, that is a promise of paradise, or a paradise itself. Mobility as a protest, pursuit of adventure, searching for escape, authenticity or identity.
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Piano Albums for Children and Youth with a View to the Work by R. Schumann, P. I. Tchaikowski, B. Bartók and S. Prokofjev
MEZEROVÁ, Eva
The aim of this bachelor work is to analyse various piano compositions of various periods for children and youth from the methodological point of view. Also, I would like to have a closer look at the albums for youth, which are not well known although they offer appreciative methodological material. The work contains an analysis of piano albums concerning the composers of the 19th and 20th centuries and a questionnaire survey of the albums application in piano instruction at elementary schools of arts and conservatories within the school subject Basics of piano playing.
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In the footsteps of history - Castelology
SEDLÁKOVÁ, Marie
The bachelor thesis takes for the aim to present feudal residences of the Middle Age in artistic expression of the romanticism. In the first part deals with presenting object of castles and in the second part is occupied by artistic elaboration of the subject of castle in the period of Romanticism. In the last part deals with history of those objects which were illustrated in the practical part of thesis. The practical part of the bachelor thesis is created by file of nine graphic lists size A3 and A4, which are created by technology of gravure, exactly by the technology of linocut. The practical part also contains tract about the given theme in pedagogical practise. The end of the bachelor thesis creates annexes of the practical part, illustration of patterns and the created linocuts.
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Almanach Máj (1858-1862)
HRDINOVÁ, Dagmar
The theme of my bachelor work is an analysis of four volumes almanack ?Máj?. The bachelor work focuses on their own interpretations, the contemporary look through the reviews and literary theorists. In my own interpretation is focused on the themes and motives characteristic of literary styles traditionally used time-dependent, but also for modern experimental literary discourses. In conclusion, I will try to summarize, whether the authors of the almanack ?Máj? have adhere their program, or deflect from it over time.
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Emotion of the sacred
Petrasová, Taťána
The text discusses the notion of emotion in the artistic movement of the Romanticism. The transition from the Enlightenment theory of passion to the "sacred" individual experience in the three national traditions (English, French, and German) is examine with respect to Czech painter Josef Mánes.
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The Journey of Desire: Romanticism in the Novels of George Eliot
FIALOVÁ, Irena
The diploma thesis Journey of Desire: Romanticism in the Novels of George Eliot is focused on the characteristic romantic items in the novels of the important English woman writer of the 19th century using the pseudonym George Eliot. The thesis deals with just three of the novels: The Mill on the Floss, Middlemarch and Silas Marner. The thesis is focused not only on the romantic items which were characteristic for this woman novelist and which were used just in those three novels, but also on the individual development and dynamics of the female characters in the mentioned novels (especially in the novels The Mill on the Floss and Middlemarch). The diploma thesis is divided into the different chapters presenting topics concerning the life of the author, the period in which she were wrtiting her novels, the Victorian novel as such and the analysis of the development of the characters in Eliot?s novels.
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Transformations of the Aesthetic of Ugliness in 19th Century Literature
NAGYOVÁ, Andrea
Work through the analysis of selected literary works of the 19th century attempts to answer the question whether during romanticism and decadence has somehow substantially changed the use and perception of the theme of ugliness, whether it is physical ugliness or ugliness environment ("nature" against the city, etc.). The starting point will be the aesthetics of romanticism with its use of an abomination and grotesqueness, attention will be paid to using of different kinds of ugliness in the literature of naturalism and, last but not least also the outcome of these '-isms' in literature of fin de si?cle. Work tries to capture the transformations of the relationships between ugliness and evil, ugliness and morbidity or ugliness and (un)naturalness.
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The Term Romanticism in Literary History
HRDINA, Martin
Subject of the dissertation thesis research is the term Romanticism, in entirety of its existence in thinking about the history of specific Central European literary works. At first the author of the thesis discusses constitution of the term, its revision and basic scope of the revised term use. Introduction of the constitutionalized term as an intersection of judgments, allows us to understand the reasons for its inconsistency and ambiguity in the meaning which were the most significant incentives for the revision of the term. The constitution as well as the concept revision is monitored in terms of interpretation of its meaning, the differentiation of the meaning and its collocability with other terms of the same genus proximum. Use of the revised concept is examined in terms of accentuating the homogeneity and heterogeneity of its meaning. After the establishing the general historical overview of the Romanticism term use, the author of the thesis focuses on its use in the relation with the Czech national literature as a specific, relatively fixed set of material. Author focuses on the application of the term in critical-historical thinking about the modern Czech literature, in the positivist and mindscientific works, and also devotes attention to the interference of Marxist thinking to the structuralistic concept of Czech literature history in relation to the Romanticism and to the current possibilities of the term use. Based on the introduced glimpses into the history of the use of the term Romanticism the author comes to several recommendations for current and future conceptualization of Romanticism, whose validity may also be related to other historical literature terms.
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The subject in articulo mortis and face to face with nature
Hrbata, Zdeněk
The article first discusses the positive (e.g. William Wordsworth, Novalis, Victor Hugo) and the negative (Alfred de Vigny, Giacomo Leopardi) conceptions of nature in the Romantic epoch, as well as pointing out their principal objects: the being of the universe and the appearance of landscape. With regard to this background, it compares situations and reflections of the prisoner or the convict condemned to death in the works of George Gordon Byron (The Prisoner of Chillon, 1816), Victor Hugo (Le Dernier Jour d'un Condamné, 1829, Quatre vingt-treize, 1874) and Karel Hynek Mácha (Máj, 1836). It analyses the tragic separation between final existence and renewable nature, indifferent to human destiny.
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Early reception of Mácha’s "Marinka" in 1830s and 1840s Czech literature
Charypar, Michal
Mácha’s tale "Marinka", which came out as a part of his Obrazy ze života mého (Pictures from My Life, 1834), aroused an unexpectedly emphatic reception not in criticism, but in the Czech literature of the time. Apart from direct allusions (made by František Jaromír Rubeš and Jan Pravoslav Přibík) there are also prose writings which are indirectly yet more deeply for all that inspired by this tale (by Karel Sabina, Jan Jindřich Marek and others). We can observe the path followed by Mácha's inspirational impulse, and the results which he brought about. Intertextual analysis can supply us with new information about the reception of Mácha's text (and the poet himself) and at the same time it inevitably leads to attempts to identify and evaluate the intertextual transfer of individual literary motifs, topics, plot components etc., as a literary phenomenon characteristic not only of the post-Máchian period.
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