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Viktor Emil Frankl's work as a starting point for reflection on selected ethical concepts in social work
MOŠTKOVÁ, Zuzana
The work deals with the selected ethical concepts of social work, such as human and person, freedom, conscience, values, suffering and death. These concepts are thoughtful and their understanding is deepened on the basis of the texts of Viktor Emil Frankl. In the work the personality of V. E. Frankl is presented, his method of logotherapy and existential analysis, further are presented the fields of ethics and social work. The selected concepts are introduced as they are introduced in the work of V. E. Frankl and in the works of representatives of existential philosophy whose approaches Frankl used. There is also evaluated the relevance of these concepts for ethics of social work on the basis of monographs and on the basis of the academic articles of the authors dealing with ethics in social work.The work pointed out the potential benefits of logotherapy and existential analysis of ethics of social work during the application of Frankl's psychotherapeutic methods into the fields of social work.
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F. M. DOSTOYEVSKY: THE IDIOT Costume Design
Tavelová, Helena ; VOHLÍDALOVÁ, Ivana (advisor) ; ZBOŘILOVÁ, Jana (referee)
This thesis F. M. Dostoevsky: The Idiot deals with the life of the author with an emphasis on his work, which is always current, because it concerns itself with increasingly vital topics related to human life. The thesis also deals with issues that are key to understanding Dostoevsky and his perception of the world and discusses the previous staging of the play in the Czech Republic, focusing on the work of the director Miroslav Krobot. Primarily, however, this thesis represents a detailed analysis of Dostoevsky's The Idiot and a detailed analysis of the individual dramatic characters within the play, with a focus on their internal processes and relationships, which are then expressed through costume.
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Existentionalism in the Works of John Fowles/Existencionalismus v díle Johna Fowlese
PETRÁNOVÁ, Eva
This master's thesis is focused on the theme of being and having in concrete works of John Fowles. The aim of this thesis is to analyse literary existentialism in the works of this eminent British prosaist. The thesis mainly concentrates on his first novel The Collector in connection with the theme of money and the question of human physical and mental freedom. Then the thesis compares Fowles' essays with his novel The Collector, particularly with a collection of his private philosophy The Aristos and his essays about nature Seeing Nature Whole, The Tree, The Enigma of Stonehenge.
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J.P.Sartre´s the Flies
Soulioti, Maria - Ioanna ; DUŠEK, Jan (advisor) ; KORČÁK, Jakub (referee)
This thesis provides a written record of the oveall stage design process, an analysis of the process and results that ensued from J.p.Satreś The Fliies. Varous observations about contemporary society combined with Satreś theories on Existentialism giving the necessary backgournd for the design aspect of my work. It includes my personal analys of the play throughout all the major dramatic situations along with sketches and photographs providing details on my final design..
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Albert Camus: The Stranger - complex scenic project
Strmisková, Denisa ; DUŠEK, Jan (advisor) ; GLOGR, Karel (referee)
The aim of this thesis is to introduce a renowned French author Albert Camus and subsequently develop my own conclusion on one of his major works - The Stranger (1942). In the first part I introduce the personality of Albert Camus's in the context of philosophical history, literature and drama. I aim to explain the background of his life in the first part of the 20th century, particularly the influence of his origin in Algiers, at that time politically and culturally dominated by the French, in contrast with later residence in France itself. These influences promoted the principle of individuality in the work of Albert Camus and clearly directed him to his own interpretation of literary expression and existentialism. Further I outline the basic principles of this philosophy and I present his most important literary and dramatic works. More specifically I deal with the analysis of the novel The Stranger itself. The topic of next chapter is the presentation of Camus's selected work on the Czech as well as international stages and their specifications. In brief mention I present film adaptations as well. The second part goes in to analysing my own conclusions of The Stranger with a particular attention to the set design. This is closely related to the practical work of the thesis - designs of chosen scenes and scale models are included in the photographic documentation. I aim to explain how I use the actual text of the novel whilst adjusting its structure in relation to the stage design. Then I analyze in detail the various dramatic situations and scenes in terms of set design solutions. In short I present technical and lighting solutions of this production. Conclusion of this thesis refers to the contribution of Camus's work and its influence on the art scene of the 20th century.
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Jean- Paul Sartre´s ontology, it´s consequences and criticism
PAŠEK, Ivo
This work deals with Jean- Paul Sartre´s philosophy. It´s ontological principles examined in Being an nothingness, consequences of this principles for practical philosophy described in Existencialims is humanism and finally selected critical response. First part of the work is focused on terms being in itself and being for itself. Second part tries to present Sartre´s thoughts in the way author presented it in lecture Existentialism is humanism. And the third part deals with critical response.
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Philosophical Aspects to the Conception of Man and Education by Albert Camus
STRNAD, Radovan
The aim of this bachelor paper is to explore the life and work of one of the world?s most important and controversial philosophers, Albert Camus, in relation to the interpretation of the link between the existentialist conception of a man and the current upbringing conception in the context of social pedagogy. The paper is divided into two main parts. The first part introduces Camus?s highly interesting life considering the fact that his philosophical ideas are often related to important events in his life. This is followed by a brief analysis of Albert Camus´s works. They are classified into developmental stages. Eventually, the views on issues of life and a man are compared in a broader concept of existentialist philosophy In the second part of the paper the author analyses Camus?s concept of relation of man, environment and upbringing. The views on the roles and possibilities of upbringing in the context of life situations are commented. At the same time it is compared to what extent the current content conception of social pedagogy as a theory and practice of helping a man is foreshadowed by Albert Camus´s views as a philosopher and writer. The conclusion of the second part consists of the author´s own research on values among university students majoring in social pedagogy.
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The loss of the sense of life - Role and Responsibility of Workers in Helping Professions at Work with a Client, who Lost their Meaning of Life.
MÍKOVÁ, Markéta
The work deals with the aspects of the role and responsibility of a worker in helping professions at work with a client who lost their meaning of life. The work answers the questions on what sphere of knowledge the helper is supposed to have to be able to provide a high-quality and expert care. Life situations are mentioned here, which presuppose the loss of meaning of life as well as the riscs of loss of meaning of life are evaluated. Also the role and responsibility of the worker in helping profession is outlined. The work was based primarily on literature by existential-minded authors and on professional literature focused on psychology, psychiatry, social work and ethics.
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The concept of death in existentialist mean
NAGYOVÁ, Andrea
The main question of this work is which view existentialists philosophers have about the death. The main intentension of this work is to demonstrate the different kinds of understanding the death by individual authors. We look for the answers of the questiones, if we can find the different forms of the death. The questiones, which way authors akcept the dead in their works, or if being of the death affect their work. At the end I want to refer of the question of life after the death. If authors belived in the life after the dead or if they didn´t. The work is written with consciousness, that the death has its own secret, that is hardly to answer.
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Czech Prosaic Works in the Period of 1945-1948
HÜBELBAUEROVÁ, Kristýna
The thesis focuses on the reception of existentialism in the Czech entourage in 1945-1948. The theoretical part of the chapter is dedicated to Václav Černý and his understanding of existensialism. We are going to be focusing on the professional and theoretical texts from Jaroslav Červinka, Jindřich Chalupecký, Václav Navrátil, Jan Patočka and Ladislav Rieger, which are processing the theme. In the practical part we are going to analyze the pieces from Dušan Pala, Miroslav Hanuš and Egon Hostovský, we are going to concentrate on whether the principles of existential imagination are reflected and which way were these imaginations expressed.
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