|
|
Inscenation Principles by director K. H. Hilar in National Theatre from 1921 to 1935 (focusing on cooperation with stage designer Vlastislav Hofman)
Jančálková, Petra ; Janoušek, Pavel (advisor) ; Topolová, Barbara (referee)
The thesis Inscenation Principles by director K. H. Hilar in National Theatre from 1921 to 1935 (focusing on cooperation with stage designer Vlastislav Hofman) is about director K. H. Hilar's inscenation principles in position as the boss of National theatre from 1921 to 1935. The aim was to focus on Hilar's work at the National Theatre, as well as its cooperation with the actors, the elements of expressionism and later civilism in his arrangement and last but not least, given his cooperation with the set designer, especially with the architect and artist Hofman. Part of thesis involves a lot of images from Hilar inscenations . Most sources are available in the archives of the National Museum in Terezin, and archives of the National Theatre in Prague. The professional literature is available at the Theatre Institute, also in Prague.
|
|
|
Reception of Deml´s prose poetry Hrad smrti and Tanec smrti
SVOBODA, Marek
This bachelor thesis focuses on the readers' reception of Jakub Deml's works of poetical prose, specifically Hrad smrti and Tanec smrti from the perspective of Constance school of reception aesthetics. The theory is based mainly on the texts of German literary theorist Wolfgang Iser. The analysis of Deml's work is considered in the context of literary expressionism and is based mainly on Iser's take on empty spaces that enable the reader to connect the different perspectives in the text through the narrator, characters, story and a fictional reader "written in" the text. Unambiguity in the text creates a need to further specify its different aspects and this task is left to the reader.
|
|
|
An analysis and interpretation of the authors work in its relationship to 20th-century art
STRNAD, Milan
I am interpreting my own art production arising from my studies from the point of view of the classical depth psychological theory and artetherapeutic method taught in Atelier of the artetherapy. Refer to the art means and structures, I am deeply interested in and searching for parallels among plastic arts and painting of the 20th with a view to expressionism or surrealism and other avant-garde styles of the first half of the 20th. Herewith, I am focusing on analysis of the family relationships and other personal and social presumptions of the surveyed artefacts.
|
|
|
The Work of Josef Váchal in the Context of Czech Literature and Culture of 1st half of 20th Century.
KŮS, Václav
Bachelor thesis deals with monitoring developments Váchal reflection of contemporary social and cultural contexts of early twentieth century, especially the twenties and thirties. Based on the analysis Váchal´s diary entries and relevant professional sources to try to reconstruct Váchal perception of contemporary artistic currents and historical contexts. Concentrates on monitoring reference to the artistic avant-garde in the twenties and thirties in Bohemia. Bachelor thesis tries to find signs, interpretation and resonance, referring to the description Váchal´s works of any common features and similarities with the Czech avant-garde.
|
|
| |
|
|
The Poetry of Literary Group
BROUČKOVÁ, Veronika
The submitted thesis concentrates on poetry of the Czech art group "Literární skupina", which was established in 1921. This thesis is divided into several chapters, in which the author interprets the poetry of single authors on the basis of several flag features. There are terms and motives of death and life as two inseparable parts of human being, religiousness and religion and shifting of the original meanings, further conception of an individual in terms of community. Another chapter deals with the motive of heart and reflections of sensibility and emotive involvement in interest of creation of "the new world". The last chapter displays reflections of "Literární skupina" by temporal critics and discussions between this art group and Prague avantgarde group "Devětsil". The author is interpreting the poetry in the context with expressionism, which meaning she feels in the wide word sense, not just as an artistic movement, but as a "stream", which goes through all spheres of human activity. From this point of view the group "Literární skupina" can be also seen - as an art group which was not distanced from expressionism, but on contrary in the beginning joined it via its speaker František Götz. The autor of this study analyzes the theoretical thoughts of "Literární skupina" which obviously in strong contrast to practical artistic gesture in poetry can be found.
|
guest ::
