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An abandoned site (A serie of wall paintings in the environs of an urban outskirts)
MALÁK, Martin
In this theoretic-practically focused diploma thesis I deal with the issue of an abandoned site and its potencial for the art creation itself. Firs I attempt to foreshow the modern aspects of the art in relation to the urban outskirts creation. I focus on the distinct graffiti phenomenon an its role within the cultural developement of the modern society. In connection with forementioned I aspire to define the phenomenon of site and space. Furthermore I adress the importance of the outskirts with reference to the environmental psychology. Afterwards I carry through a critical reflexion of the theoretical knowledge fragments and apply new findings while resolving the creative task. In the practical part of this thesis I create triptych of wall paintings in the environs of an urban outskirts on the topic of an abandoned site and consequently I carry out their explication.
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Graduation Thesis Images of Friends. Contemporary portrait paintings in the works of European women artists. Collection of works inspired by relationships and people.
ČOPFOVÁ, Blanka
Abstract {\clqq}Images of Friends`` Contemporary portrait paintings in the works of European women artists Collection of works inspired by relationships and people The graduation thesis is divided into two main parts. The first one deals with the contemporary portrait paintings of European women artists; the second one concerns the ideological and technical aspect of their work. In the theoretical part of the thesis I am concerned with the diverse conceptions of portrait painting of the European women artists from the 2nd half of the 19th century until now. I have highlighted the factors which define the changes in topicality and character of the portrait painting of the artists. Within this context I have traced the influence of emancipation of the artists on their work, the influence of the visual media on the portrait genre itself, the diverse conceptions of portrait painting arising from respect to traditions of the genre or diversion from the traditions. The text also contains self-reflective parts connected to the work itself and supplementary material concerning the technical side of the work. The practical part of my thesis comprises documentation of a collection of twelve portraits.
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Railway Station
PETRÁŠOVÁ, Jitka
The theoretical part of this work refers to the presence and approach to the technical element in former and current Czech art. It closely inquires into this theme in the work of the outstanding contemporary Czech artists and it also mentions the graffiti phenomenon and its influence on the present artistic production. Furthermore it explains my intention and technical method in the course of creating the practical part of the work - a cycle of six thematic paintings.
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Relationship situation
HEJDOVÁ, Petra
The presented diploma thesis focuses on artistic rendering of my relationship with mother, mainly in terms of colour expression, which I see as crucial. The work is divided into two parts, the practical part and the theoretical one. The theoretical part deals with psychology of colours and their impact on a human being. The practical part consists of six large-scale acrylic paintings painted on canvas, description of my individual artistic development and sources of inspiration.
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Civilization´s problematic in the 21st Century
STRAKA, Jakub
The thesis consists of theoretical and practical parts. The practical part represents a series of paintings in which the author is engaged in transcription of personal experiences and impressions of the world marked by a human phenomenon. The theoretical part discusses the quest for the ultimate artistic output and initiatives, which led the author to comment on this topic. In the context of finding appropriate means of expression for the final artistic output, the author reflects on the diversity of artistic approaches and methods used in the presentation of issues of civilization in the world of art.
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Fillology: forgery and art history today
Lahoda, Vojtěch
The study deals with the issue of forged paintings above all in the work of Emil Filla, asking how to apply some contemporary art-historical approaches to Filla if, in many cases, we are not able to say clearly that the painting on which the method will be applied was really painted by Filla.
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