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Comparison of old and current cine lenses in combination with modern digital camera
Jakubec, František ; HOJDA, Petr (advisor) ; MIKŠ, Antonín (referee)
A Director of Photography has many artistic possibilities when working with cine lenses. Today, we can produce many optical effects in digital post-productions; however, working with lenses and with their defects (aberrations) is very interesting when you use them with modern recording technology. This thesis examines a small part of these issues. The theoretical part is about general qualities of optical systems, their aberrations, and measurement of picture quality. Furthermore, there is also a description of the movie camera and lenses, which were used for testing. The analytical part is about analyzing real footage from tests.
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Cine Reflect Lighting System and its use in films of Michael Haneke
Adam, Stanislav ; FUXJÄGER, Klaus (advisor) ; JÍCHA, Marek (referee)
This bachelor thesis deals with the lighting system Cine Reflect Lighting System and its ability to approach the lighting of a scene in a different manner. First part of this thesis summarizes advantages and disadvantages of mirror systems, which can be helpful for cameramen to choose the right lighting technology for their movie. In the second part of thesis I focus on CRLS usage in Michael Haneke movies, especially in his movie The White Ribbon (2009)
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