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MIME ON THE OPERA SCENE
Kukuczková, Anna ; CAPKO, Štefan (advisor) ; SOPROVÁ, Jana (referee)
This diploma work focuses to the use of mime on the opera scene. It summarizes the historical facts about connection between opera and pantomime. This work contains a list of operas, that are a part of the pantomime in the history of the opera and on today's Czech opera scenes. It also includes the personal experiences of the author, which relates to this theme.
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Czech - French Interaction and its significance for modern Czech pantomime
Vizváry, Radim ; PETIŠKOVÁ, Ladislava (advisor) ; HYVNAR, Jan (referee)
The work examines Czech ? French relations and its impact on modern Czech pantomime after 1945 in three respects. The aim of this work was to create an overview mapping French contacts with leading figures of modern Czech pantomime. The first section is concerned with historical perspectives. Based on the direct testimony of participants, research, and the discovery of yet unpublished archive material, I introduce new facts and verify the historical context during the renewal of interest in pantomime art in Czechoslovakia after 1945. While I was guided by historical events in interpreting this considerable body of material, I endeavored to record and develop the most significant events in broader and deeper contexts. The second aspect of my research focuses on a comparison of individual French mime techniques which have been and continue to be used here. I then attempt to compare these with my own method. I particularly understand them from a practical point of view, as I have learned and mastered these approaches and even adopted some for my own performing and teaching. In the third section, I assess the influence of French mime art on my artistic activity with respect to my teaching practice and own artistic work. This was most evident in the creation of Mesdames & Messieurs, Deburau!, where I played the main character, and while directing the opera Theater Beyond the Gate by B. Martinů.
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Art from the Site - Field Research and Its Staging Strategies
Petáková, Linda ; ŽIŽKA, Tomáš (advisor) ; HALAŠ, Adam (referee)
This bachelor's thesis deals with theater production that is based on previous field research. In this work I reflect and analyze the theatrical production of "Marie to dala. Jak to dá? ty?" which was my bachelor's production. I break down the individual phases of creation and the work method. Main emphasis is placed on working with sources during the creative process and on theatrical creation in non-theatrical spaces.
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Deaf in Slovakia pantomime
Radzová, Valéria ; CAPKO, Štefan (advisor) ; MIKOTOVÁ, Zoja (referee)
Bachelor thesis titled Deaf in Slovakian pantomime, with the tagline Theatre of
Quiet Sparks, discusses the use of mime in dramatic education of deaf but also
their creation that is represented by artists of Silent Sparks Theatre. A
substantial part of the thesis is the view of the teaching activities and the use of
mime as an educational method drama by therapists and educators. Based on
watching the performances and interviews with deaf actors I got the opportunity
to compare the uptake and use of pantomime at present. Finding common and
distinctive characters by expressing silent art is enriching knowledge for hearing
and deaf actors. With searching for these characters I got forthcoming help from
artistic director of the theater Quiet Sparks Peter Vrťo. The work contains many
quotes from interviews i have been given by the members of Silent Sparks
Theatre. Overview and description of the creation of a single professional deaf
theater in Slovakia, through the eyes of a professional mime and disinterested
spectator is the second part of the thesis. Interviews and meetings with deaf
actors were for me as the author bachelor thesis huge enrichment not only of a
professional but also personal terms.
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Road-show theatre yesterday and today
Těšínská, Tereza ; PETIŠKOVÁ, Ladislava (advisor) ; MAKONJ, Karel (referee)
This work is concentrated on the road-show theatre in Czech lands since half of the 19th century till nowadays. In it I compare the experiences of chosen original road-show companies with my experience from realisation of ?Putování? project, two-months road-show travelling in Czech regions during summer 2012. Its results should be telling, in what is road-show travelling today similar and in what different from original companies.
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The contemporary performer in mime theater
Křivánková, Jindřiška ; PETIŠKOVÁ, Ladislava (advisor) ; HALAŠ, Adam (referee)
This magister thesis is about the task of contemporary performer in mime theater. The thesis deals with a question of authorship and physical being of the performer on the stage. The thesis is based on analysis of graduation performence of Jindřiška Křivánková titled The hunters and on the basis of this analysis entitle principals of authorial theater and contemporary acting.
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Female pantomime Representatives on czech Stages
Votočková, Kateřina ; PETIŠKOVÁ, Ladislava (advisor) ; ČECHOVÁ, Miroslava (referee)
This paper aims to present the leading women representatives in the field of
pantomime in the Czech Republic since 20th century. There are not many of
them, and in this field none of them became as successful and famous as for
example Ladislav Fialka, Boris Hybner and others. Therefore, this work generally
refers to the problem of womanhood in pantomime and issues with this theme.
At the end, prominent representatives of Czech pantomime conform to the
issues.
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Jean - Luis Barrault
Svoboda, Vojtěch ; PETIŠKOVÁ, Ladislava (advisor) ; HYVNAR, Jan (referee)
This work discusses the life and work of Jean-Louis Barrault, one of the most significant french theatre artist. Barrault is known as an excellent actor, mime, directer and theatre theorist. His contribution to the development of Europian theatre in the last century is very important, especially to mimic theatre styles. The thesis shows Barraults personality and art with a focus on his contribution to pantomime. Another task is to explore influence of different personalities on the artistic development of Jean-Louis Barrault.
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Mime Miroslav Kasprzyk
Debnárová, Barbora ; PETIŠKOVÁ, Ladislava (advisor) ; Benčík, Juraj (referee)
The essay titled Pantomimer Miroslav Kasprzyk is based on biographical elaboration of the life and journey through the pantomime to conversations. Interviews incurred during a meeting in Slovakia or common chatting via the internet media called gmail.com. This work is based on the chronological Kasprzyk?s study period, the period when he was an amateur, his development as an amateur to the professional and work with children in the study of Kasprzyk. Thereafter the paper is elaborating Kasprzyk?s work in pantomime in Slovakia and its contribution and his endeavor to maintain this genre in the minds of children and adults. In this work there are many quotations from Miroslav Kasprzyk which were developed during the interview. This work also contains quotes of the study about Kasprzyk, which were acquired through the email communication. This report is discussing the world of Miroslav Kasprzyk, personal as well as artistic. Uncovering his determination to fight for the genre of pantomime in Slovakia. The meetings with him were for me as the author of this work, rewarding and inspiring in realizing how to follow my artistic journey.
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Master of inspiration and comeback: mime Milan Sládek
Šimon, Lukáš ; PETIŠKOVÁ, Ladislava (advisor) ; Kasprzyk, Miroslav (referee)
This work focuses on the theatre works, educational activities and organizational skills of the famous mime Milan Sládek. It introduces his life and work from the beginnings to the present day, focusing on the works since 1989, namely the performances Marriage of Figaro, Grand Pierrot, Andy Andy, Way of the Cross and Don Juan. The aim is to highlight the originality and uniqueness of his work and a huge influence on the art of mime.
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