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Animated Documentary Film as a Medium for Personal Confession
Nguyen, Cam Van ; VANDAS, Martin (advisor) ; DĚCKÁ, Eliška (referee)
Animated documentary film is relatively a new genre, which is presently growing and becoming more popular. Simple definition of this genre is animated film with standard elements taken from documentary films. There is true confession, emotional strength, and unlimited borders, which animation provides. This growing sub-genre of animated film is asking existential questions. How does this kind of animated documentary film usually look? Almost everytime it is a topic of the stories from the real world, for example: topics of human rights, topics exceptional but also universal, which can be very easy to identify. This thesis is specifically focuses on the topic of personal confessions, that tell their own story. I also had to deal with this topic when I was doing my bachelor animated documentary film and at the end of it I summarize it with my personal evaluation and experiences.
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Ivan Kafka, Photography between documentation and art
Mertová, Alexandra ; JANOŠČÍK, Václav (advisor) ; LEDVINA, Josef (referee)
The thesis deals with photographic work of conceptual artist Ivan Kafka and questions regarding the thin line between technical documentation and its artistic quality. It focuses primarily on issues related to the documentation of art and presentation of installa-tion records. Issues accompanying photographic documentation of art are presented using examples of specific works by Ivan Kafka and his approach from a technical and artistic point of view. The text is built around thematic interviews with the author Ivan Kafka, art photographer Martin Polák and art historian Pavlina Morgan. The purpose of these interviews was to present a specification of Kafka's documentary approach from different perspectives and point to the exceptional, as well as problematic aspects of his photographic work. Individual subject areas are developed considering the problematic questions concerning documentation of photography.
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Emotions in experimental animation
Nováčková, Jana Kristýna ; DĚCKÁ, Eliška (advisor) ; ČIHAŘOVÁ, Libuše (referee)
This work deals with the relation of emotions to contemporary experimental animation. It engages in the emotional experience of a viewer to non-narrative film storytelling and its means of expression.
At the same time, it examines what the creative processes and attitudes of filmmakers towards emotions in experimental animation are. Analysis of the questionnaires also reveals whether the creator counts on the viewer's specific interpretation of the film.
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ASMR
Stejskalová, Bára Anna ; POSPISZYL, Tomáš (advisor) ; PAVLÁTOVÁ, Michaela (referee)
ASMR is a phenomena, which tries to induce a feeling of a physical touch in the viewer. It is spread mostly on the Youtube platform. His creators are primarily amateurs, who pushed this sector from the most simple videos to the half-professional level through using professional technology (very sensitive microphones, 360° shooting, using googles for virtual reality). Elicit the physical response through flm could enrich the viewer´s experience from the piece. Yet, the ASMR remains in the underground. The goal of this thesis is to describe and analyse ASMR, compare it to audio-visual media production and ask a question, whenever it is possible to induce the physical responce, with the same principals, in the animation.
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Studies and a career of Czech animator in terms of market economy
Kotlářová, Hana ; BUBENÍČEK, Jan (advisor) ; PAVLÁTOVÁ, Michaela (referee)
"Studies and a career of Czech animator in terms of market economy" answers all basic, practical questions that Czech animation student asks about his future career. It is an information link between school and practice. It delivers facts about current situation on Czech animation scene and presents practical skills which are necessary for setting up an animation career. The goal of a writer was to deliver undistorted information which might be surprisingly realistic or skeptic. Understanding these facts is fundamental, because readers should come up with their own solutions for their future jobs in animation. A broad topic contains information about film or artistic animation, commercial and comissioned jobs, internet animation, basics about animation studios, animation industry and economic aspects of a freelance work. It summaries a purpose of animation schools, including 10 commandments of a student aimed on practical skills to gain during studies.
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Overcoats
Trnka, Matyáš ; KUBÍČEK, Jiří (advisor) ; Mertová, Michaela (referee)
Bachelor thesis Overcoats presents unrealized projects (mostly films) of seven czech major directors of animated films. Text contains samples from specific projects, accompanying text of author of the thesis, which puts works into larger context and interviews which was made directly with authors of projects or the individuals most connected. Interviews were taken, rewritten and modified in July and August 2016.
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Czech Television and Youth Audience
Kučerová, Zuzana ; BENDOVÁ, Helena (advisor) ; MATHÉ, Ivo (referee)
The thesis Czech Television and Youth Audience focuses on whether Czech Television as a public service broadcaster in the Czech Republic produces
enough programmes targeted at teen audience. The aim of the study is to consider if a television as a platform for watching audio-visual content is
still appealing for pubescents or whether they rather choose the Internet. Furthermore, I describe the ways by which other European public service
broadcasters attract young audience and make a suggestion to improve the situation.
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Jihlava International Documentary Film Festival’s Industry Programme and Its Benefits For a Producer
Šilarová, Hana ; ŠVECOVÁ, Marta (advisor) ; Tabakov, Diana (referee)
The present thesis explores the industry programme of the Jihlava International Documentary Film Festival, as well as the ways producers benefit from it. This festival has a long-term tradition organizing programmes for film professionals. The individual components of the programme are conceived, respectively, for participants of various professions, for instance festival directors or film directors, with its main section, Emerging Producers, aimed at starting European producers.
The first part of the present work describes the history of Jihlava IDFF and the individual sections of its industry programme, while the second part compares the festival to two other ones of similar size, namely CPH:DOX and Visions du Réel Nyon, whose conceptions differ to a significant extent from Jihlava’s. The last section of the thesis, drawing in part on online questionnaires administered to Emerging Producers participants and to the producers of films competing at the festivals in question between the years 2012 and 2016, examines the contribution industry programmes bring to producers.
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Participatory mode in family (auto)portrait
Sobotová, Pavla ; RŮŽIČKOVÁ, Alice (advisor) ; KUBICA, Petr (referee)
The bachelor thesis titled "The participation mode in family (auto) portrait" should examine the borders and possibilities of the author's participation based on concrete films that deal with author (son/daughter) and parent relationship. The student's movies are Igor Chaun's The beatiful portrait, Vít Klusák's Vinigar, Bohdan Bláhovec's In reconstruction and my film Portrait of my dead father.
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