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Sven Nykvist and his work with light
Kainrathová, Edita ; ŠLAPETA, Ivan (advisor) ; JÍCHA, Marek (referee)
The subject of my thesis is the work of the cinematographer Sven Nykvist. The
center of the work is the subject of light, its analysis, its meaning and use in a
film`s story. In the conclusion of my work I mention his worldwide success.
Based on his biographical data I attempt to look into his personal life, and on a
more general level, I consider the theme of creative work versus personal and
family life.
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The means of expression in Darius Khondji's films
Fantová, Klára ; KOBLOVSKÝ, Petr (advisor) ; ŠPELDA, Josef (referee)
The objective of this thesis is to describe the differences between the means of expression of the cinematographer Darius Khondji on examples of his three films. I describe how these differences affect the resulting visual stylization. In this thesis I focus on both technical and artistic aspects of his approaches. In the selected films I compare the contrast, lighting, color concepts, camera angles and camera movement. I describe also Khondji's approaches in relation to the dramaturgy of the story.
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The light atmosphere in the film and the visual image
Hubač, Jan ; BRABEC, Jaroslav (advisor) ; KOBLOVSKÝ, Petr (referee)
In my diploma thesis I?m attempting to understand light in its various forms. The main goal of this thesis is to explore particular connections, but also differences within the framework of atmospheric lighting construction in film and art images. The first part of the text provides a summary of information about light itself, its perception, dispersion and its influence on the human psyche. It also addresses light and the construction of atmospheric lighting in several historical periods of fine art and cinematography.
The following chapters focus on light composition construction as viewed by camera-men. An analysis of a selection of films is used to present specific cinematographic methods, especially those dealing with light. The final part of this thesis explores the work of film artists who were inspired by paintings in which the determining feature was the original artist?s usage of light and atmospheric lighting.
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