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Rozšířená kinematografie
Dimoski, Vladimir ; JÍCHA, Marek (advisor) ; GUNARATNA, Vidu (referee)
Nahlížíme-li na profesi kameramana jakožto na určitou formu umění, pak toto umění dnes stojí na rozcestí. Kolem pojmu kameramanství je dnes určitá kontroverze, zejména v kontextu filmů, u kterých byla klasická kamera podřízena virtuálním technikám (např. Matrix, Life of Pi, Gravitace).
Následující práce se zaobírá historickým vývojem kameramanských technik a jejím cílem je ověřit, zda je virtuální kinematografie krokem kupředu v evoluci práce kameramana. Ve snaze dobrat se co nejpravdivější odpovědi, rozhodl jsem se analyzovat práci kameramanů výše zmíněných celovečerních snímků ve smyslu spolupráce se supervizory vizuálních efektů a celým kreativním týmem. V této studii se snažím objasnit, jak tito kameramani použili nové techniky za účelem podpoření dramaturgie příběhu.
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Black and White Cinematography in the Digital Era
Burgos Barbosa da Silva, Guilherme ; FUXJÄGER, Klaus (advisor) ; PECÁK, Josef (referee)
I want to understand why B&W filmmaking is appearing as an artistic form in contemporary times, and how these films are being made technically. To explore the technology currently being used, I will create a test and examine results of the same scene filmed with RED color, RED bw, ARRI color, ARRI bw and Double X. I plan to analyze raw images for comparign first characteristics, then apply color grading to get final b&w results.
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The way to widescreen cinema
Matoušek, Philip ; SMUTNÝ, Vladimír (advisor) ; MACÁK, Jiří (referee)
This thesis looks at the development of widescreen cinema and tries to describe the main steps in its development. I lay the main emphasis on the time of the beginning of cinema at the end of the 19th century and the establishing of the norm of 35mm film, then on the late 20s, where this norm was almost transformed into a new norm of a wide format, and eventually the implementation of a new norm of widescreen cinema in the 50s.
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Comparison of old and current cine lenses in combination with modern digital camera
Jakubec, František ; HOJDA, Petr (advisor) ; MIKŠ, Antonín (referee)
A Director of Photography has many artistic possibilities when working with cine lenses. Today, we can produce many optical effects in digital post-productions; however, working with lenses and with their defects (aberrations) is very interesting when you use them with modern recording technology. This thesis examines a small part of these issues. The theoretical part is about general qualities of optical systems, their aberrations, and measurement of picture quality. Furthermore, there is also a description of the movie camera and lenses, which were used for testing. The analytical part is about analyzing real footage from tests.
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