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MUTUAL RELATION OF ACTOR'S PERSONALITY AND HIS/HER PROFESSION
Vojtková, Klára ; Šiktancová, Jaroslava (advisor) ; Korčák, Jakub (referee)
My diploma thesis could feature the subtitle: When and what the stage should learn from life, when and what and why life from the stage.
In this thesis I have tackled the impact of my study of dramatic art and of a relatively short stage experience to my personality, relations, and even attitudes. I have put myself the questions on advantages and complications introduced by my character features and by my upbringing in my actor's work; I ask myself how my attitude to theatre and dramatic art work is influenced by my religious faith, when my ambition to improve myself transforms in a paralysing self-control, and why my motive talent turns against me. I am speculating about such topics as ?actor partner?, ?eye contact with him/her?, about how blind I looked into my partner's eyes and how I have learned to draw energy from unknown eyes of new colleagues. In the third chapter a detail description is presented how I used to remove my diffidence in respect of physical contact, beginning from
a simple embrace to a passionate love scene on the stage. I write that a strong director's control need not mean submission to actors and that a lock on a partner is a method how to liven up repeated performances; I write what the graduation part of the Duchess, and the whole season on the DISK stage, really meant for me and how the atmosphere during rehearsals strongly influenced results; about the realization of a new genre ? of the musical as a stylization and recognition in the Elfriede Jelinek's ?non-theatrical theatre?, about what a spectator ? and a communication with him/her - means for me. In this thesis some ideas have been expressed that have not sounded loud to date; therefore I hope to fulfil my intention of an open and frank self-reflection.
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