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National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
ACTUAL INTERPRETATION OF DRAMA THROUGH DRAMATIC SITUATION AND SPECIFIC STAGE REALIZATION
 Tyc, Mikoláš ; Schejbal, Milan (advisor) ; Hrbek, Daniel (referee)
The work is focused mainly on the problems of interpretation and subsequent stage realization. Based partly on staging of one part of Three sisters by A. P. Chekhov but mainly on the staging of drama ?Kasimir und Karoline? by Ödön von Horvath Mikolas Tyc describes some problems the performers had to deal with when they decided to stage Horvath's play as their final school theatre performance. First of all Mikolas Tyc tries to look for the borders of interpretation in general. Then he focuses on the process of interpretation of ?Kasimir und Karoline?, which started with analyzing the specific situations, characters and irony of Horvath. And Mikolas Tyc also describes the endeavour of finding the main topic of his look on Horvath`s play ? these topics are discussed in the third and fourth chapter. The fifth chapter is focused on the specific meanings of the final performance that are brought on stage not only by actors, but also by stage design. He also describes from the director?s point of view the process of rehearsals, including a trip on Oktoberfest. The progress some actors did in the specific genre of Horvath?s drama as well as description of first sketches and the final stage appearance of both stagings is also described here. The last chapter is a conclusion where Mikolas Tyc looks for the good and the bad in his performance in terms of becoming a professional theatre director.
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THE SPECIFICITY OF COMEDIC SITUATION IN DRAMATIC WORKS OF W. ALLEN, ESPECIALLY IN CENTRAL PARK WEST
 Tyc, Mikoláš ; Schejbal, Milan (advisor) ; Šiktancová, Jaroslava (referee)
The work is focused mainly on the specificity of Woody Allen`s comedies. Based on the work on the one-act play Central Park West. Mikoláš Tyc describes in the introduction some problems the performers had to deal with when they decided to rehearse this play as their bachelor theatre performance. The process of interpretation of this play started with analyzing the characters and the structure of the plot which is close to the Freytag`s drama theory - these topics are discussed in the second and third chapter. The fourth chapter is focused on the changes of the text so the age of characters in Allen`s play could be lowered from mid-forties to mid-thirties. In the fifth chapter Mikoláš Tyc from the director`s point of view describes the rehearsals and the progress of some actors in the genre of conversational comedy. The last sixth part is a conclusion where the director looks for the good and the bad in this performance in terms of his future theatre work.
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See also: similar author names
2 Týc, Martin
5 Týč, Matěj
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