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Emil František Burian. Self-presentation, representation and memory
STŘELBOVÁ, Tereza
This diploma thesis reveals the processes of shaping the image of Emil František Burian, the theater director, composer, journalist and playwright in three key headings. The first heading explains the principles of self-presentation and choice of characteristic means to build its external image in the changing personal attitudes and social development in the 30th - 50 years of 20th century. The second heading shows the coordinates of cultural policy communist regime and monitors the construction of public image representative of official socialist culture. Both headings are mainly based on a detailed analysis of Burian's theater activity, broadcasting activities and articles in professional and social printing. The third heading of qualification work pays attention to creating individual memory of a systematic effort to build a "cult of personality" of E. F. Burian. Interpretation biography and memories of actors, directors, journalists and politicians attempts to profile the professional and private life of this artist.
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Between the Art and the Policy. Emil František Burian in the thirties of the 20th century.
STŘELBOVÁ, Tereza
Presented Baccalaureate Thesis: Between the Art and the Policy. Emil František Burian in the thirties of the 20th century, considered Emil František Burian a personality of a left-oriented commentator of political events of the time between the world wars. The thesis touches the so-far ignored activities of Burian, especially his journalistic activity presented by concrete examples of the magazines of that time - the culture evening paper D 34 and the Program D. The attention is also paid to Burian´s leading role in the politically engaged theatre platform (Theatre D 34), on which he had a fundamental influence with his attitude of a communistically minded intellectual. The goal of the thesis is to demonstrate that Emil František Burian was not only a phenomenal playwright, but also an important representative of the avant-garde art of the First Republic, and an important personality of the cultural and political events.
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