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Application of some psychological Principles for the Purpose of reaching Increase in Effectivenes of violin Practice
Pustějovský, Ondřej ; ŠTRAUS, Ivan (advisor) ; PAZDERA, Jindřich (referee)
This thesis has the main purpose to enhance some psychological principles (possibly strategies) for making violin practice more effective.
The following mental elements of violin performance training are involved in all chapters: focusing and turning one´s attention, intentionality, discipline.
The main chapters are named: Divergent thinking, Planning, Memory, Focus of attention in the context of coordination.
Practical examples as well as illustrations are also involved ? right in the text.
Origin of some quotations is comprehensible from the context. The others reference the source below mentioned right on the equal pages.
Author adresses the involved ideas to students, alternatively professional violinists as well as to violin pedagogues.
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The tasks of an interpreter in Adagio g moll J.S.Bacha 1001
Pustějovský, Ondřej ; Štraus, Ivan (advisor) ; Tomášek, Jiří (referee) ; Matoušek, Bohuslav (referee)
This bachelor thesis has the main purpose a description of some interpretative possibilities of Bach´s score of Adagio in g minor from Sonata for solo violin No. 1. Dynamical development, articulation, agogic, phrasing, changes of timbre and vibrato are deduced and elaborated on the basis of the musical content and structure of the score. This thesis is searching also a racional, why the affect theory fixed some musical figures because of their supposed activating of certain states of mind, feelings and moods. A sensuous and experientialist point of view is also presented here, because both - rationalistic as well as sensuous and experientialist aspects - had an influence on musical expression during the time of Bach´s creative activity. At the turn of the renaissance to baroque, the harmony started to become more evident, voices doubled ( in basso continuo) one leading voice began to be clear and independent on other voices. Florentine camerata finished - more or less - with the polyphony. Thus it took qiute a long time till polyphony came in the higher degree in music to its own again. The harmony ( not only contrapuntal tecgnic) was essential in that time. That´s why the author of this thesis concerns himself basically with the musical expression on the ground of harmonical tension.This thesis contains harmonical analysis as well as the polyphonical one. Graphic presentation of formal plan, division of Bach´s score to the 4 lines and Bach´s Urtext are attached. Very short summary of the evolution situation in europe during the baroque epoch is also included, because Bach came from a large familly with great teaching tradition. This thesis also tries to describe the protestant milieu as Bach was very adherent to it. Autor also explains how Bach´s organist activities influenced his whole compositional style.
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