National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Light design and sound design in choreographic creation in 20th century
Ondrašíková, Věra ; Kubicová, Ivanka (advisor) ; Burian, Vladimír (referee) ; Urban, Ondřej (referee) ; Gremlicová, Dorota (referee)
The doctoral thesis represents a contribution to the development and issues of light design and sound design in choreographic creation in 20th and the beginning of 21st century. Besides the survey of its specific usage, the main inspiring motive is the importance of intermedia collaboration. The thesis is especially focused on contemporary ways of the creative process and future development of collective authorship. The research is based on the author´s own choreographic experience.
LIFE AND WORK OF CONRAD DRZEWIECKI
Puchowska, Sara Maria ; Gremlicová, Dorota (advisor) ; Ondrašíková, Věra (referee)
My graduation thesis is based on the work and life of Conrad Drzewiecki, the person who wrote the history of dance and choreography in the second half of the twentieth century in Poland. He was one of the first post-war dancers, who performed both in and outside Poland. Drzewiecki was the founder and head of the Polish Theater Dance - Ballet Poznan and also teacher at the Poznan School of Ballet. He is famous for creation and development of a whole new dance style. For many years Drzewiecki represented Polish art in the country and abroad. This work is not a subjective look at the life and work of Conrad Drzewiecki, but just a small collection of historical and theoretical information.
Choreographic thinking of the contemporary Czech dance authors
Veselá, Jitka ; Gremlicová, Dorota (advisor) ; Ondrašíková, Věra (referee)
This bachelor thesis is focused on choreographic way of thinking of the contemporary Czech dance authors. I asked seven choreographers who were working in Prague during my research. I spoke to Mirka Eliášová, Dora Hoštová, Jan Kodet, Jan Komárek, Tereza Ondrová (VerTeDance), Lenka Ottová, and Tomáš Rychetský. I prepared a range of questions. According to these questions I wanted to find out the way of their thinking, how do they think and work. I also wanted to find out what is different and what is the same in each choreographer´s working style. The extent of interviews is different because it depended on their willingness to cooperate. Main sources for my Bachelor thesis were interviews I made with choreograprehers, their choreographic works I saw on TV (which were available) and information I read on the internet. Bachelor thesis is divided into four parts. First is commentary to research, ensue main research, other contains interviews with choreographers´curriculum vitaes and the last is conclusion. The text also includes appedix containing all questions I used which is located at the end of the bachelor thesis.

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