National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Oskar Nedbal Theatre: Former and Now
OTRADOVCOVÁ, Lucie
The diploma thesis entitled Oskar Nedbal Theatre: Former and Now aims to present some fundamental and interesting moments from the history of the Oscar Nedbal Theare Tábor in the context of changes in local culture from its inception to the present. The work is divided into seven chapters, which represent the developmental stages since the establishment of the theatre. It will first focus on building theatre by amateurs under the influence of the national revival in the process 19th century, further maps the important moments that took place in the theatre during the challenging 20th century and describes how the theatre functioned during the two world wars. Later, it focuses on the period of theatre, which we could call the present. The work methodologically based on cultural studies maps important moments in the development of the theatre, in terms of building, repertoire and (artistic) management of the theatre as such, does not neglect the issue of changing the name of the theatre and presents personalities that were crucial for the theatre. The work is supplemented by testimonies and memories of performers and spectators who worked in the theatre or visited it. For a closer understanding of the important events that took place in the Oscar Nedbal Theatre in its history, the work is supplemented by the context of the development of Czech theatre and society from the 19th to the 21st century. The main sources of the submitted diploma thesis are sources searched in the State District Archive Tábor, as well as information from periodicals and there are also sources from available literature.
Jiří Veltruský's Structuralist Approach to Theatre
OTRADOVCOVÁ, Lucie
The present BC thesis focuses on aesthetic theory of Jiří Veltruský. The work will attempt to show how Veltruský develops the ideas of the Czech structuralist school, introduces the key concepts that Veltruský uses and demonstrates how these concepts are used to describe the basic features of the theatrical art. Focus will be mainly on Veltruský's description of relationship between basic elements of the theater and the role of the text.

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