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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
WILLIAM SHAKESPEARE: TITUS ANDRONICUS Complex scenographic elaboration
 Lippertová, Dominika ; DAVID, Milan (advisor) ; GLOGR, Karel (referee)
This thesis is focused on scenographical treatment and conception of Shakespeare's play Titus Andronicus. Beside the historical and theoretical outline of the time of the play's creation, the thesis analyzes selected Czech and foreign productions of this play, with regard to its conceptional and graphic aspect. Furthermore, the thesis focuses on a complex analysis of the scenographic concept itself, and the graphic procedure as well. Thesis also marginally examines the central characters and the treatment of costumes. The goal of this thesis is to approximate the graphic treatment of a specific play and to describe processes of searching for own and personal graphic procedure used. This thesis is not only a historical analysis; it is also a subjective view of the issue given, that is supposed to approximate the specific scenographic adaptation of the play to the reader.
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Giuseppe Verdi: Rigoletto - Comlex scenografical project
 Lippertová, Dominika ; GLOGR, Karel (advisor) ; DUŠEK, Jan (referee)
This work is a theoretical part of the scenographic project of opera Rigoletto. I analyze here the whole process of creating and the comprehensive visual concept. The first part of the work discusses the foreign productions of Rigoletto. It is focused on the stage design of relatively contemporary productions. It compares them with the staging from the 1970's that is more classical in terms of the stage design. The analysis of the productions is a basis for further analysis of the possibilities of visual adaptation of opera Rigoletto. The second part is based on the previous analysis. It describes the way to the visual conception of stage design and costumes to opera Rigoletto.Visual design is based on a minimalistically conceived stage and a relationship between music and the abstracted geometric shapes of costumes as the art objects and of the stage design itself.
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