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Presentation of manufacturing concern on internet
Horníček, Jiří ; Březina, Tomáš (referee) ; Kříž, Jiří (advisor)
This thesis covers the creation process of presentation of manufacturing concern with specific realisation in internet sites. Based on theoretical resources from area of creation of internet sites focused on presentation, the structure of the sites is designed as well as the individual modules of the chosen system are analyzed. Subsequently tools for realisation from the area of internet presentation systems are chosen and used to implement the system. Enclosure of this thesis covers evaluation of resulting internet presentation.
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Czechoslovakian amateur animated motion picture
Hubáček, Tomáš ; Czesany Dvořáková, Tereza (advisor) ; Horníček, Jiří (referee)
This thesis will try to map out the topic of animated film in unprofessional conditions on Czechoslovakian ground between the years 1935 and 1973, which has been completely neglected until now. The biggest focus is on the period 1967-1973, when the Czechoslovakian animated films gathered many awards in film competitions on both domestic and foreign ground. The chapters are chronologically arranged and present the historical-political and art- technological context with the aim of understanding the position and options in the era for amateur animation. This bachelor's thesis is focusing primarily on the milestones in the evolution of Czech animated amateur film, significant works and their authors. It also tracks the success of these films in domestic and foreign competitions. This work is methodologically in the field of new film history. The foundation for the research consists of reviewing archived resource materials, personal funds and press releases in particular. The sources are completed with some secondary literature.
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Presentation of manufacturing concern on internet
Horníček, Jiří ; Březina, Tomáš (referee) ; Kříž, Jiří (advisor)
This thesis covers the creation process of presentation of manufacturing concern with specific realisation in internet sites. Based on theoretical resources from area of creation of internet sites focused on presentation, the structure of the sites is designed as well as the individual modules of the chosen system are analyzed. Subsequently tools for realisation from the area of internet presentation systems are chosen and used to implement the system. Enclosure of this thesis covers evaluation of resulting internet presentation.
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"Measure twice and cut once"
Krutská Vrbová, Kateřina ; DAŇHEL, Jan (advisor) ; HORNÍČEK, Jiří (referee)
"Measure twice and cut once" MSc. Kunc´s super8 format narrative fabrication in 80´s.
This dissertation presents amateurish authorial films of MSc .Vladimír Kunc on Super 8 mm film format with emphasis on film editing as an reflection of time in the moment of its origin in the 80ties. I will compare the phenomenon of applied magnetic sound of Dr.Rentz for Kunz image montages with a sound of composition of authorial films of The Wizzard of Oz, who has chosen adventurous way of audio tape to his films on Super 8mm film format in the same decade. The aspect of authorial sound montage is looked through the contemporary technological and distributive possibilities.The text also presents analysis of expressional means of Super 8 mm films and the way of their using within particular authorial approaches-model authorial subjects. This dissertation presents study of narrative films which during the filming and editing look for not only notice value but also the way of narration.The films which are looking not only for message but also its form in the context particular period.
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HOME MOVIES AND THE SIGNIFICANCE OF THE AUTHORIAL SUBJECT
Brabcová, Evženie ; DAŇHEL, Jan (advisor) ; HORNÍČEK, Jiří (referee)
The aim of this thesis is to describe the visual phenomenon of home movies and their relation to the authorial subject. The subject of home movies is introduced in the first chapters and it deals with technology and its impact on amateur film work as well as the use of technical terms and academic reflection of home movies. The aspect of the authorial subject is viewed through the works of several personalities, who represent both typical and marginal attitudes to home movies production. One of these personalities is Ludvík Šváb whose private and experimental films proved to be a source of friction, which enabled me to track down and define the genre of home movies and realize that it does not have to be viewed solely within the amateur discourse. The method of creative recycling and reinterpretation of home movies by a filmmaker Martin Ježek offers almost a transcendental perspective. The paper also presents an analysis of the means of expression in the home movies and their use within given model authorial subjects.
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