National Repository of Grey Literature 4 records found  Search took 0.01 seconds. 
ND FILTRATION WITH DIGITAL CINEMA CAMERAS
Piňos, Matěj ; ŠEC, Martin (advisor) ; HOJDA, Petr (referee)
This thesis concerns the possibilities of neutral density filters which are used on digital cameras. It is focused on the development of filters, information about technological innovations and solutions. Understanding this issue is an important part of the cinematographer's work, as neutral density filters are the most used filters, especially in the exteriors. The theoretical knowledge is used in the practical part of the thesis focused on camera filter testing.
VISUAL MEANS OF EXPRESSION IN SERGEI PARAJANOV‘ WORK
Hrubý, Jan ; MAREK, Diviš (advisor) ; HOJDA, Petr (referee)
This bachelor theses are concentrated on Sergei Parajanov, one of the most distinctive film authors from the 20th century. With his unique author approach he created films which are very distinctive with their visual poetic. Thru analysis of the means of expressions of Parajanov core works, the theses focus on aspects which are typical mainly in visual means of expression and cinematography approach. The aim of this work is to show the uniqueness of the artistic vision of Sergei Parajanov and also of the film language he uses, which is the base of the most contemporary film productions.
METHODOLOGY OF SHOOTING IN LOW LIGHT
Šťastný, Tomáš ; HOJDA, Petr (advisor) ; ŠOFR, Jaromír (referee)
This bachalor thesis solves the technical problems associated with shooting
Comparison of old and current cine lenses in combination with modern digital camera
Jakubec, František ; HOJDA, Petr (advisor) ; MIKŠ, Antonín (referee)
A Director of Photography has many artistic possibilities when working with cine lenses. Today, we can produce many optical effects in digital post-productions; however, working with lenses and with their defects (aberrations) is very interesting when you use them with modern recording technology. This thesis examines a small part of these issues. The theoretical part is about general qualities of optical systems, their aberrations, and measurement of picture quality. Furthermore, there is also a description of the movie camera and lenses, which were used for testing. The analytical part is about analyzing real footage from tests.

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