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Critical reflection of Czech theater culture 1945 - 1948: Continuity and discontinuity
Drexler, Otto ; Ježková, Petra (advisor) ; Knapík, Jiří (referee)
The diploma thesis deals with the journalistic work of the theatre critic Josef Träger in the period of the so-called Third Republic (1945-1948). It describes the process of forming attitudes of the journalist towards post-war theatre, presents a representation of the dominant discourse and its transformation during the given period. This thesis focuses on the content analysis of theatre papers, conceived as a kind of "case study", it relates to the basic themes and problems of Czech post-war theatre. It is argued that this approach enables the analyst to pose questions concerning the ideological character of theatre criticism. This thesis discusses ideas of avant-garde creators and theorists, in whose public work it identifies the main source of inspiration for the revolutionary transformation of Czech theatre in 1945. It explores the influence of the Communist Party in the given period, targeted interventions in the Czech media and theatre system and manipulative practices leading to the strengthening of its power in the post-war state. The text also deals with the manifestations of the emerging socio-political disposition in theatre journalism, the form of the reception of post-war hegemonic formation by the journalist, and to structure the results of the analysis into a broader political-media...
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F. A. Šubert 1849 - 1915
Drexler, Otto ; Pokorná, Magdaléna (advisor) ; Beneš, Zdeněk (referee)
This bachelor thesis deals with the biography of one important personality at the end of the 19th century - František Adolf Šubert, who was in the post of the Director of National Theatre in Prague in years 1883-1900. The main focus of the thesis is Šubert's public life and his career, as well as on his position within Czech cultural society, in the wider context of the era of that time changing Czech society and theatrical culture perception. It deals with the question, why F. A. Šubert was a subject of criticism from the journalists already during his active career as a director, and why he has never been recognized as one of the let's say "cultural heroes" of that epoch. The base of the work lies in the spring of the year 1900 - which was the year of Šubert's abdication (together with the whole theatre management). The work deals also with Šubert's personal life, which influenced his ideas and persuasion, too. This thesis is based on the then print, pieces of specialized and memoir literature, partly also archival materials (the access to the last mentioned was due to several factors rather limited). Powered by TCPDF (www.tcpdf.org)
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