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Russian piano school - Lev Naumov
Doležel, Ladislav ; Leichner, Emil (advisor) ; Malý, František (referee)
Abstract
In this work I tried to describe genesis of russian piano school with concentration on one of the most pivotal personality of this direction, professor Lev Naumov.
In the introduction I mentioned my motivation for writing this thesis.
The first chapter aim at determination of the term russian piano school and confronts views about its existence.
The second chapter summarize in six subchapters initial period of development of russian piano school in 19th century, which is represented by such pianists as John Field, Anton and Nicolai Rubinsteins, Theodor Leschetitzky.
The third chapter describes the formost personalities of russian piano school in 20th century. Its two subchapters are focused on Alexander Goldenweiser and Samuil Feinberg.
The fourth chapter discuss about life and contribution one of the most distinguished pedagogues of russian piano school ? Heinrich Neuhaus.
The fifth chapter is dedicated to the most famous pianists from Neuhaus´s class ? Sviatoslav Richter and Emil Gilels. The third section briefly discuss the personality of Neuhaus´s son and assistant Stanislav Neuhaus.
The sixth chapter analyses in detail lifeand pedagogical activity one of the last Neuhaus assistants, profesor Lev Naumov. The chapter is divided into eight subchapters, the last one is focused on Naumov´s assistant, pianist Konstantin Scherbakov.
The seventh chapter extends a view on the system of musical education established in Russia after revolution in 1917.
At the conclusion I write about influence of russian piano school on the world piano pedagogy.
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Bohuslav Martinů: Piano works
Doležel, Ladislav ; Leichner, Emil (advisor) ; Langer, Miroslav (referee) ; Krajný, Boris (referee)
In this work I tried to describe Bohuslav Martinů´s works for piano with concentration on one of the high composition of his heritage - Fantasy and Toccata.
In the introduction, I mentioned my motivation for writing this paper.
The first chapter is brief discuss about Bohuslav Martinů´s life.
The second chapter is focused on development of Bohuslav Martinů´s works for piano through his life. I tried to point out on width and diversity of his piano works.
Third chapter introduce clearly organized list of piano works line up according to year appearance and opus number from Halbreich catalogue. At the beginning is a brief introduction and then list of solo piano works divided into two cathegories compositions from youth and mature compositions (which appears at the beginning of his Paris period).
Fourth chapter makes up list of concertant works with solo piano.
Fifth chapter is overview of compositions for two pianos. Sixth chapter bandy about overview by works for keyboard instruments such as cemballo and organ works. In the following, seventh, chapter, I was dealing with main works for piano and analysing conditions which related to their appearance. Eighth chapter is focused on concrete master work - Fantasy and Toccata. I describe circumstances of emergence, note pianist - Rudolf Firkušný - the composition is dedicated for and analyse the work . Ninth chapter is supplement of previous chapter and describe other compositions, which appears in same time as Fantasy and Toccata. At the conclusion I write about value and importance of understanding for Bohuslav Martinů ´s work.
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