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Německý Brod Gradual by Paul of Mělník from 1506
Blechová, Světlana ; Kubík, Viktor (advisor) ; Zapletalová, Jana (referee)
The presented dissertation thesis called " Německý Brod graduale by Paul Melnik in 1506" is bound to my bachelor thesis, which also dealt with manuscript from the Paul of Melnik's workshop. The introduction of the thesis summarizes the already existing literature on the topic (Chap. 1). Then the following chapters are focused on the illuminator of the studied graduale (Chap. 2.1); they are also engaged in the questionable issues of provenance and dating the graduale, which is allegedly dated in 1506, however, the illumination contained in it rather refers to the graphic analogy (ies) of A. Dürer, which was (were) issued not earlier than in 1511 (Chap. 2.2). The thesis also includes a chapter which is dedicated to the donator of the manuscript (Chap. 3.1). Moreover, there are emphasized problems of literary fraternity and art of Utraquism in Bohemia as well (Chap. 3.3). The chapter 3.2 tries to summarize the works of the illuminator Paul of Melnik, and also to describe his artistic character. The last chapters are devoted to the decoration of the graduale and to possible analogies within the illuminations (Chap. 4).
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Gradual Paul of Melnik from 1530
Blechová, Světlana ; Kubík, Viktor (advisor) ; Ottová, Michaela (referee)
Bachelor thesis called " Louny Gradual by Paul Melnik in 1530" first summarizes the existing literature on the topic, which occurs soon after the half of the 19th century (Chapter 1). The names of the purchaser and illuminator of the Louny Gradual are documented in the first part of the Gradual's explicit (IG 8, f. 427v). The explicit also includes the date and provenance of the Louny Gradual, which was completed in 1530 for Utraquist literary fraternity at St. Nicholas'Church in Louny (Chapter 2.4). The Louny Gradual belongs among the last written Latin Utraquist choral books. It contains one of the largest collections of Kyrie and Sequences. Paintings in both parts Gradual (IG 8a, b) are in the academic literature considered the decline in artistic standards. However, the nearly intact Louny Gradual characterizes the spectacular color components and efforts to adopt new ideas from the west, mainly represented by M. Schongauer's and Dürer's prints.
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Německý Brod Gradual by Paul of Mělník from 1506
Blechová, Světlana ; Kubík, Viktor (advisor) ; Zapletalová, Jana (referee)
The presented dissertation thesis called " Německý Brod graduale by Paul Melnik in 1506" is bound to my bachelor thesis, which also dealt with manuscript from the Paul of Melnik's workshop. The introduction of the thesis summarizes the already existing literature on the topic (Chap. 1). Then the following chapters are focused on the illuminator of the studied graduale (Chap. 2.1); they are also engaged in the questionable issues of provenance and dating the graduale, which is allegedly dated in 1506, however, the illumination contained in it rather refers to the graphic analogy (ies) of A. Dürer, which was (were) issued not earlier than in 1511 (Chap. 2.2). The thesis also includes a chapter which is dedicated to the donator of the manuscript (Chap. 3.1). Moreover, there are emphasized problems of literary fraternity and art of Utraquism in Bohemia as well (Chap. 3.3). The chapter 3.2 tries to summarize the works of the illuminator Paul of Melnik, and also to describe his artistic character. The last chapters are devoted to the decoration of the graduale and to possible analogies within the illuminations (Chap. 4).
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Gradual Paul of Melnik from 1530
Blechová, Světlana ; Kubík, Viktor (advisor) ; Ottová, Michaela (referee)
Bachelor thesis called " Louny Gradual by Paul Melnik in 1530" first summarizes the existing literature on the topic, which occurs soon after the half of the 19th century (Chapter 1). The names of the purchaser and illuminator of the Louny Gradual are documented in the first part of the Gradual's explicit (IG 8, f. 427v). The explicit also includes the date and provenance of the Louny Gradual, which was completed in 1530 for Utraquist literary fraternity at St. Nicholas'Church in Louny (Chapter 2.4). The Louny Gradual belongs among the last written Latin Utraquist choral books. It contains one of the largest collections of Kyrie and Sequences. Paintings in both parts Gradual (IG 8a, b) are in the academic literature considered the decline in artistic standards. However, the nearly intact Louny Gradual characterizes the spectacular color components and efforts to adopt new ideas from the west, mainly represented by M. Schongauer's and Dürer's prints.
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