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The use of camp game as an instrument of prevention of dangerous behaviour
ŠVESTKOVÁ, Jitka
This bachelor thesis discusses possibilities of camp games' usage as a tool of prevention against risky behaviour. It is divided into theoretical and practical parts. The basic terms such as leisure time, upringing during free time, risky behaviour, prevention and game are defined in the first part. The goal of the second, practical part is our own project realized in the form of sequential camp game which was designed for particular organization (e. g. organising camps) working with children and was tested during a concrete summer camp. Methods based on quality research were used for evaluation of the project - observation, group discussions and half improvised interviews. Practical goal was to create the camp game, however this thesis also observates possibilities of usage of this game not only as a part of the camp´s program, but also as a means of prevention of risky behaviour. The project of the game camp with the detailed description of individual activities, used properties and instructions for their realizations are attached and can be used for concrete realizations.
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The South Bohemian National Theatre in the 30th of the 20th Century
ŠVESTKOVÁ, Jitka
The main aim of this project is to introduce the developement of the national theatre in České Budějovice in 1930s. We got the important information by reading a few books and mostly from period magazines, newspapers and records stored in the National local archives in České Budějovice. Unfortunatelly, despite thorough search for information we cannot ensure it is all credible. However, we tried hard to create complete a complex overview of drama in those days. First, the project focuses on general description of the theatre conditions, who the manager was, how the theatre flourished as far as finance is concerned or how the drama activities were influenced by other industrial or political circumstances. Then, the other topic is dramatics in each season, choice of plays and their reception. The other parts deal with drama tours and Josef Stejskal, who shifted drama to a higher level in 1930s. In appendix you can find the registers of ensemble members, the overview of repertoire in Jihočeské národní divadlo in each season and also several period photos.
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