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The World according to the Larp
Koubová, Karolína ; SLAVÍKOVÁ, Eva (advisor) ; MALANÍKOVÁ, Hana (referee)
In my diploma thesis I deal with the phenomenon of chamber LARP and through it I get to the reflection of my studies at the Department of Authorial Creativity and Pedagogy [KATaP]. My first approach to the writing assumed that the live action role playing (LARP) is based on similar assumptions and motivations as the basic disciplines of the department. The more detailed I looked at this game, I had to modify the original hypothesis of similarity. Process that I describe in my thesis has finally reverse trend. I do not describe LARP with regard to the experience of KATaP, but the LARP experience leads me to the reflection and exploration of the five-year study. Gradually, (Inter) acting With the Inner Partner, authorship and game become the subject of my research. I also think of the possibility of an authentic experience and try to answer the question of for what is the truth in own creation and access to myself. It is largely a subjective view and an offer of my personal experiences and experience from University and from the practice of LARP.
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Acting as both a profession and a study programme
Vaculíková, Šárka ; SLAVÍKOVÁ, Eva (advisor) ; POKORNÁ, Jaroslava (referee)
In my bachelor thesis Acting as both a Profession and a Study Programme I describe my experience with various methods of acting. I go through examples from my own career in the theatre and in the television and film-making with focus on the possible advantages and disadvantages of working with pedagogues and directors. I examine how their experience and techniques could and have helped me develop both as an actress and as a person and if their advice pushed me forward in my pursuit of theatrical education or rather held me back and how my own approach to acting has changed through the course of my career.
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Improvization of acting people with serious visual handicap
Laňková, Renata ; Slavíková, Eva (advisor) ; Pilátová, Jana (referee)
I would like to focus in my dissertation on improvization of acting people with serious visual handicap. These improvizations took place during theatre course from 2007 till 2008. This dissertation is divide into 3 parts. First part focuses on history and content of theatre course I've mentioned above and also visual handicap problems and psychical impact on human personality. Second part describes people who were involved in and their specific needs and verbal and movement improvization too. At the end I reflected the cooperation of the group and describe the knowledges which I got as the member of the group and as the social worker.
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Consciousness of a rhytm
Šteidl, Tomáš ; Slavíková, Eva (advisor) ; Kroschlová, Eva (referee)
The author Tomáš Šteidl, student at the Department of Autorship and Pedagogy, is in first part of his work working with Mihule´s book Rhythm and Rhythmos and trying to explain linguistic and philosophical meanings of the word rhythm. Next step from the philosophical point of view is for theatre more practical term temporhythm and author is trying to explain this term in connection with E. J. Dalcroze´s work in the field of Eurythmics and also at contemporary work of polish theatre director K. Lupa. Third part of work is concentrating on the reflexion of study at Department of Autorship and Pedagogy at DAMU, part of this reflexion is dedicated also to the Erazmus semester study at Rose Bruford College in London, UK. Last, fourth part of work is about enclosed dvd and about performances placed there - Brothers Karamazov, At the End of the Hall, Innocent.
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An Encounter With Dialgue Acting Within The Context of Spiritual Ways Known To Me And Practiced By Me.
Samuhelová, Danica ; Vyskočil, Ivan (advisor) ; Slavíková, Eva (referee)
In my diploma work, I tried to look into deeper context which opens during Dialogue Acting With Inner Partner (DA). I consciously left out the theatre utilisation of DA which I touched only marginally. Above all, I wanted to explore the spiritual aspect which is open to everyone at the moment of one's entering into the process of DA. For me, DA is a bridge between the western style of perceiving the reality, and the eastern insight into the essence of existence. I mention here only the spiritual practics I experienced by myself, mostly through practicing or intuitive connection through my dreams.
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Apartment or not? A path towards authorial presentation, Phenomenon of apartment theatre
Feithová, Irena ; Komlosi, Alexander (advisor) ; Slavíková, Eva (referee)
Brief characteristic:
This work is based on reflection three years long bachelor`s studies at department of authorship and pedagogy. First part of work concretely describes preparations for authorial presentations which are one of subject of studies at department of authorship and pedagogy and other possible authorial plans to future. Second part follow up to the first part and considers specific of phenomenon of flat theatre concretely Flat theatre of Vlasta Chramostová and tendency of contemporary artists to follow this genre.
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