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The comparison of spoken and sung voice
Jirovská, Anita ; Márová, Libuše (advisor) ; Jonášová, Jana (referee)
The diploma work " The comparison of spoken and sung voice" is dedicated to the physiology of voice. Whole text is divided into three basic chapters. The first chapter, which is dealing with spoken voice, is concentrated to the voice used in general, without knowledge of speech technique. The second one is concerned about the singing - in this case we are dealing with exposure with technical background. Last part of the diploma work is focused on the difference between these voices, hence spoken and sung voice. There is introduced an evolution of the voice in short, from the sung voice point of view as well as from the spoken voice point of view.
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Wexford Opera Festival 1951 - 1959
Mátlová, Markéta ; Hajóssyová, Magdaléna (advisor) ; Márová, Libuše (referee)
This Bc project is talkng about the first ten years of existence the Irich Wexford Opera Festival. I have been describing the main idea and historical facts of how the festival is structured and organized. This is the only comperhensive factograpfical materila in the Czech language. In Mgr project I would like to continue in tracking and collecting informations about this subject till nowdays.
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Directors´ approach to operas arranging viewed by a choir singer of the National Theatre in Prague
Šindelková, Ladislava ; Hajóssyová, Magdaléna (advisor) ; Márová, Libuše (referee)
This bachelor´s thesis deals with the approach of directors and scenographers to arranging operas with the opera choir of the National Theatre. It treats the seasons 2005 -2007 when a lot of operas were staged.
Included in this work are works by Czech composers. These are the following: The Phantom or The Bloody Opera by Petr Kofroň, Zdenek Plachý and Jiří Šimáček, then The Greek Passion by Bohuslav Martinů, Její pastorkyňa by Leoš Janáček, and The Secret and The Kiss by Bedřich Smetana.
A part of the thesis are reviews of the above mentioned performances, plot summaries and lists of performers and other people participating in the opera productions.
At the end of the work Ladislava Šindelková, a choir singer of the National Theatre, gives her own opinion on opera directors´ approach to arranging.
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Sweden in the view of a singer or The historical view of the musical evolution in Sweden, focused on vocal literature
Kocourková, Tereza ; Jonášová, Jana (advisor) ; Márová, Libuše (referee)
The intention of this essay is to offer to czech public an overview of swedish music, especially of swedish vocal literature.Beginning with ancienit music, we are getting through 16th and 17th century up to F. Berwald and then, with few stopovers in 19th and 20th century with such composers as E.G.Geijer, L.Norman, A. Soderman, W.Peterson- Berger, W. Stenhammer or H. Alfvén, we end up in 20th century speaking about opera and contemporary music in Sweden.
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My experience in Staatsoper Hamburg
Hanfová, Marta ; Hajóssyová, Magdaléna (advisor) ; Márová, Libuše (referee)
In this work I put mind to my own experiences, which I had obtained when I was a guest in Staatsoper Hamburg.Dutiny my study time abroad I am bringing a Janacek's Barena opera, Její Pastorkyňa to the opera and of course the premiere. In the last chapter I focused on non-musical facts, which helped identify Janacek's piece. I have been analysing a scene from this performance in an esthetical sight. I 1 chapter I analyse the theme of a drama in the context of the libreto and I also have focused on the family relations of each hero. But In the second to last chapter I mention the complicated way of Její Pastorkyňa on the statue of the Nation theatre and following break on world stages such as the Staatsoper Hamburg for example.
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Modest Petritch Mussorgsky and his most familiar vocal works
Khidirova, Arina ; Hajóssyová, Magdaléna (advisor) ; Márová, Libuše (referee)
My bachelor work dissert upon the huge russian musician, composer Modest Mussorgsky, which one is my favourite. In this work I am engaged in complete views of his works, I immerse oneself in his biogrphy to better understand his orogonality, his inextricable innovatory and every stimuli, which maked out his musical way, until nowadays Mussorgsky is very popular. My document tries to open for my readers every fundamental of his geniuses. My vriting is especially more recapitulation of some of cardinal importance of his life and his creative genius, they are very very interesting and so valuable for us. Modest Mussorgsky belongs to artist, which musical works were tested by history. The artist so much loved his russian nation during his whole life, tried to grow together and leave with him. In honor of russian populace composed his favourite biggest works - operas: Boris Godunov, Kchovanshtina and his immortal vocal cycles, which are my favourite, they are the biggest motivation for me, and help me to choose for my bachelor singing concert.
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