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Wexford Opera Festival
Mátlová, Markéta ; Hajóssyová, Magdaléna (advisor) ; Jonášová, Jana (referee)
This MgA project is following my Bc project, which was about the estabilishing and beginnig of Wexford Opera Restival. MgA project is about the progress in years 1961 - 1968. You can find in this work the basic ideas of WOF, the main facts about this developing festival in the second decade of it´s existence and information about the choosing repertoire and artists. This is the only comprehensive factographical material in Czech language. In the Introdiction you can find much more about the base of WOF - also in english language.
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Life and work of Manuel Patricio García
Vejmelková, Pavla ; Jonášová, Jana (advisor) ; Hajóssyová, Magdaléna (referee)
My master´s thesis is devoted to the life and work of Manuel Patricio García, singer, music educator and vocal pedagogist. I particularly focus on his physiological and anatomical knowledge of the vocal apparatus which was thanks to the use of the laryngoscopy mirror very precise. García´s descriptions and schemes of the processes that occur in the human body in the course of the singing represent strong evidence of the fact that he only needed the laryngoskopy mirror to make conclusions that have been confirmed by the use of special and sophisticated sophisticated investigative methods. Some relevant issues from his familly life have been included in this work.
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Giacomo Puccini - Opera Edgar - The study of interpretation problems of Tigrana
Krejčí, Václava ; Přívratská, Jiřina (advisor) ; Jonášová, Jana (referee)
In my master Thesis I decided to deal with the first full-lenght opera from Giacomo Puccini Edgar, with the auxiliary view of the lead role Tigrana. In the first part of my work I´m describing the rise of verism and it´s top personators with the inclusion of their fundamental work. Then I consider about the childhood and music starts of Giacomo Puccini. In the next chapter I follow the first Puccini´s opera Le Villi. I mention here the factors, the storyline and the interpretation problems of this opera. After this, my work is only about the opera Edgar. I describe the storyline and the factors of it´s creation, I also compare opera Edgar with the other veristic operas. At the end of my work I describe my professional experience with the role of Tigrana and the introduction of this opera in the Theatre F.X.Šalda in Liberec.
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W.A.Mozart, La clemenza di Tito - Vitellie
Petirová, Gabriela ; Kaupová, Helena (advisor) ; Jonášová, Jana (referee)
The theme of the thesis is life of W.A.Mozart with an accent to time he spent in Prague and his opera La clemenza di Tito. The opera is analysed from the point of the view of historical connections, frequence of performace and the plot of this work. Closer the thesis is focused ti the character of Vitellia and her difficult aria " Non piú di fiori".
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Gustav Mahler vocal -symphonic works from point of view of performer
Zedník, Josef ; Hajóssyová, Magdaléna (advisor) ; Jonášová, Jana (referee)
This work summarizes the vocal-symphonic works of Gustav Mahler and it gives the basis for a future Master´s thesis. To understand the depth of the Master´s music, insight into his work and to take adequate grasp is needed to be account the topic more generally. Such a requirement can be achieved only if the account of Mahler not only the work itself, but if we learn more broadly about the composer´s life, family situation and the contemporary reality that together act on his musical language. Only through such a review is to highlight possible cardinality of Mahler´s musical legacy. The goal of this work is to acquaint the reader with the life of this worlds´s genius, to streamline the implementation of the works of the Prague Philharmonic Choir, the state works with emphasis on the Song of the Earth and dealt with on my own not only solo experience with the music of Gustav Mahler.
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The emergence of opera buffa and the contributtion of G.B.Pergolesi
Kubištová, Anna ; Jonášová, Jana (advisor) ; Hajóssyová, Magdaléna (referee)
The aim this work is the theme " The emergence of opera buffa and the contribution of G.B.Pergolesi". In the first chapters I try to briefly familiarize the reader with the Neapolitan school and its founders Francesco Provenzale, Alessandro Scarlatti and others. Furthermore, I attend to the issue of castratos, who vere trained in the Neapolitan conservatories, their way of singing, and their importance in baroque opera. In the next chapter I ˇII touch Veapolitan operas and operation of theatre, which was influenced by contemporary usage and taste. It started here at the Opera to use dialect and theraby seamlessly evolved form of opera buffa. The next part is already disccused in detail the difference between opera seria and opera buffa and a brief substance of the comic operas of authors such as Leonardo Leo, Leonardo Vinci, Baldassare Galupi and Niccolo Puccini. In conclusion I mention Giovanni Battista Pergolesi, his work and contribution to the opera. Trying to explain in more details nature of the characters appearing in the intermezzo " La Serva Padrona".
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Giuseppe Verdi: La Traviata
Myřátská, Libuše ; Jonášová, Jana (advisor) ; Jonášová, Jana (advisor) ; Hajóssyová, Magdaléna (referee)
The main chapter of this work is more detailed analysis of the Violetta´s part from the opera La Traviata by Giuseppa Verdi. The emphasis is put on the singing part, technical difficulty and the own view. The main topic is completed by the chapter describing composer´s about their creation. A big part is put in comparing diferent interpretations of the main part. A huge selection of the famous sopranos from the beginning of the 20th century to the presentis contained here.
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B.Martinů: The Voice of the Forest
Jelínková, Olga ; Podskalský, Miloslav (advisor) ; Podskalský, Miloslav (advisor) ; Jonášová, Jana (referee)
In 2009 we hold anniversaries for many composers, for example G.F.Händel, Henry Purcell, J.Haydn and Felix Mandelssohn-Bartholdy. In this abundance of celebrations we should not overlook the 50th anniversaryof Bohuslav Martinů´s death. Czech composer B. Martinů ( 1890 - 1959) was one of the most prolific composers of the 20th century. He was born and grew up in Polička . In 1923 he left his country of birth to study with Albert Roussel in Paris, where he lived for the next 17 years. In 1941 he emigrated to the States, fleeing the German invasion of France. He wrote for leading American orchestras in the following decade. He became homesick bud he never returned to his homeland. Martinů spent his later years in Switzerlandand and he died at age of 69 in Liestal. He wrote almost 400 pieces ( symphonies, operas, ballet and a large number of orchestral, chamber, vocal and vocal- instrumental works). His Epic of Gilgamesh, Field Mass, The Opening of the Wells, and his operas Julietta and The Greek Passion are highly regarded. His music displays a wide variety of influences ( expressionism, constructivism,hazz) and often reflects sensitivy to Czech folk music. Ot is characterized by the freedom of its melodies, the vigor of its rhythms, and the transparency of its textures. This diploma thesis deals of Martinů ´s little known one-act radio opera The Voice of the Forest ( Hlas Lesa). The libretto of the opera is written by the czech poet Vítězslav Nezval. This short experimental work was written specifically for radio performance in 1935. It called for a good articulation and different treatment of dramatic time than would be typical for a staged work. In contrast to the wildy extravagant libretto, the music is fine, lyric and tonal, expressing the characters ´emotions without irony, but with neverending optimism.
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Voice diagnostics
Hamerníková, Pavla ; Jonášová, Jana (advisor) ; Jonášová, Jana (advisor) ; Kaupová, Helena (referee)
My bachelor´s dissertation deals with the human voice diagnostics. I particularly tried to describe the methods of the diagnostics that are used when examining the voice of either professionals or non-professionals. The descriptions of human voice disorders and their diagnostic features also make part of my dissertation.
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