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Significant implications of the clarinet
Vašek, Petr ; Hlaváč, Jiří (advisor) ; Mareš, Vlastimil (referee)
In my study I deal mainly with contemporary music by context of clarinet´s technique´s continual progress. The main object of this paper is introducing to all potential techniques of the clarinet play and their practice.
Another crucial issue of the study is to point at the current standing of the clarinet in contemporary music and to accent its constribution by modern-day composers.
The current music is also considered in this study in the context of international competitions as ARD Munich, International Music Competition in Markneukirchen or Prague Spring. It is quite common that learning most difficult up to date pieces by composers as Luciano Berio, Karel Husa, Tiberiu Olah or Edison Denisov is required at these contests.
In the study there are mentioned all known techniques and manners of present clarinet play (microdegree, multifonic, glissando, frulato, smorzato, slap tone, circulation breathing) that appear in contemporary music. On the other hand, we cannot leave aside the basic techniques (size, dynamimics, legato, breathing, sound´s colour, staccato) so we pay attention to the continual evolution of technique that is crucial not only in clarinet play.
This paper should not be serving as a methodological instrument but as certain introduction to current music of clarinet in 21the century.
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