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Ard international cello competition
Zvěřina, Jan ; PETRÁŠ, Miroslav (advisor) ; KAŇKA, Michal (referee)
Master theses of Jan Zvěřina titled " ARD International Cello Competition - History and Winners " is devoted to this prestigious competition describing for example it´s history, currentrules and prices. In addition, by form of a semi-structured interview this theses intermediates experiences and memories of three winners of such competition, namely Wolfgang Boettcher, Michal Kaňka and Julia Steckel. It is the aim of such interviews to determine whether there is any interconnection in theirv individual successes. For this reason, the interviews focus mainly on the preperation of cellists before actual competition, but they bring also experiences from the actual competition and answer the question what ARD competition brought these winners.
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DESCRIPTION OF PERSONALITY - JAN VYCHYTIL
Urban, Vojtěch ; ERICSSON, Mikael (advisor) ; KAŇKA, Michal (referee)
This thesis examines various aspects of Jan Vychytils' personality. Above all, he was a cellist, a teacher and the director of the Music School of Prague. Thus we have three main topics to be talked about: Vychytils artistic interpretation, his pedagogical legacy and a separated chapter is devoted to the Music School of Prague and the circumstances of founding musical classes of Jan Neruda grammar school. In addition, this work captures Jana Vychytil as a poet and a composer in an effort to illustrate his diverse personality.
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Bohuslav Martinů - Cello Sonata Nr. 1
Vokáč, Ivan ; PETRÁŠ, Miroslav (advisor) ; KAŇKA, Michal (referee)
Bohuslav Martinu's Cello Sonata No. 1 has recently became part of the traditional repertoire of cellist, and because the author of this thesis was deeply impressed by the piece, he decided to study the composition not only a practically but also theoretically (harmonic, formal, historical and analytical), work is divided into four chapters. The first one is devoted to the composer's biography, the second one summarizes and puts all the Martinu sonatas for this instrument into context. Next chapter is a detailed formal analysis of this work and the last is devoted to the interpretatiion analysis of records of three renowned artists.
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