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Notes for yong editors
Pauer, Petr ; Trajkov, Ivo (advisor) ; Daňhel, Jan (referee)
Why should one become an editor? Why should one dedicate to profession which is ?trapped? in between four walls, condemned to one small room? And, when it comes to creativity, what are the real possibilities for editor to be creative and to express her or himself? These are some of the questions raised in master thesis by Petr Pauer, called ?Notes for young editors! ?. This ?handbook? is instruction tool about process of film production and creation which tries to answer more general questions and to react to various frustrations of young and beginning filmmakers. For example: How to deal with editors? claustrophobia? How to deal with directors? self-centeredness? Where to start, when you start editing the film?. It tries also to describe the principles of editing process which aims to be compatible with viewers experience as well as editing process which serves to director?s vision. Important issue it deals with is: Where do we draw inspiration to feel and understand film, do we unconsciously recall our deepest animal instincts or we base our understanding on ?database? of all the films we saw and all the frames and pictures that our eye and brain caught before. Or, should we reject all that has been made and go for new unrevealed possibilities? Author of this work creates his own dogma, he encourage reader to so called collective filmmaking and explains what it is and how it functions. In short, a new solution would be ?In order to be editor one has to be brave enough to undergo the path of humbleness and forget the fact that he or she is an individual with a lot of complexes. Though, just relax and be happy!?
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