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Three church compositions from the turn of the 18th and 19th centuries from the St. Vitus Church in Český Krumlov
MENTOVÁ, Tereza
The subject of the bachelor thesis are three compositions from the second half of the 18th century, which have been preserved in the choir of the St. Vitus Church in Český Krumlov. They belong to the genre of motet. The main aim of this thesis is the processing of these compositions, which includes their setting in the score from manuscript vocal and instrumental voices, digital setting of the score, critical apparatus, formal description and placing the compositions in the context of baroque and classical sacred music. A further aim is to determine whether the compositions are also found in other collections and whether the anonymously preserved pieces can be traced to their composers. For this reason, the thesis also includes a chapter on the organisation of the RISM, which includes the RISM Catalogue, where missing information about the compositions can be found. The score of compositions was digitally set in the notation program MuseScore4. During the transcription of the compositions, various faults were found (missing accidentals, incorrect intonation, missing bars). The RISM music source inventory was used to search for the authors of the anonymous compositions. It was possible to match two compositions with authors whose biographies and list of works are included in this thesis. The composer of Kommet ihr Hierten is the Austrian composer and priest Franz Josef Aumann (1728-1797). The author of the motet Si consistant is the Czech composer Augustin Šenkýř (1736-1796).
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Three 18th-century motets from the St. Vitus Church in Český Krumlov
GONDEKOVÁ, Tereza
The main topic of the bachelor's thesis is the analysis of three compositions from the second half of the 18th century. They come from the choir of the Church of St. Vitus in Český Krumlov. It is vocal sacred music with instrumental accompaniment intended for a performance during festive services. All three compositions belong to the motet genre. The author of two motets is Jan Lohelius Oehlschagel (1724-1788), a composer connected with the Strahov Monastery in Prague. The other author is Carl Ditters of Dittersdorf (1739-1799), an important composer of Viennese origin who spent most of his life in our country. The compositions are available in a digital edition, which includes a critical apparatus as well. The compositions are set into the context of the life and work of their authors and in the context of church music in Bohemia and Cesky Krumlov in the 18th century.
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Spiritual songs and their influence on Christian education in church kindergartens
Veselá, Jana ; Kmentová, Milena (advisor) ; Selčanová, Zuzana (referee)
The bachelor's thesis deals with sacred music in church kindergartens. The history of preschool institutions and the history of music in church education are mentioned at the beginning of the theoretical part of this thesis. The Czech fiction, which reflects the child's relationship to music in church educational institutions, is also mentioned in this bachelor's thesis. One of the chapters is devoted to general information about contemporary church kindergartens, a subchapter is devoted to the use of spiritual songs in church kindergartens. The last chapter of the theoretical part deals with the pedagogy of Franz Kett. The aim of the bachelor's thesis is to answer research questions that deal with the use of spiritual songs in contemporary church kindergartens, the expansion of the pedagogy of Franz Kett by comparison with the bachelor's thesis of Lucie Drahokoupilová. The research was carried out using a questionnaire survey. The research questions, which are summarized in the last chapter, were answered thanks to the survey. KEYWORDS Sacred music, church kindergartens, children, pedagogy of Franz Kett, spiritual children's songbook
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Ordinarium by Karel Briza and Mistake in Interpretation in Prague's Churches
Churáčková, Alžběta ; Stříteská, Leona (advisor) ; Valášek, Marek (referee)
The main topic of the bachelor thesis is the analysis of Ordinarium by Karel Bříza. The part about life and work of Karel Bříza is followed by short historical-theological explanation of texts from Ordinarium Missae. The study itself consists of music component analysis. Final chapter deals with recordings of Bříza's Ordinarium from churches in Prague. The mail goal is to describe common mistakes which are frequently repeated, find out whether the organists follow prescribed accompaniment and to evaluate quality of music in Prague's churches.
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Jan František Novák (?-1771) and his Mass Compositions
Polášek, Vojtěch ; Niubo, Marc (advisor) ; Kapsa, Václav (referee)
This master's thesis concerns the extant masses of Jan František Novák (died 1771), kapellmeister of the cathedral of St. Vitus in Prague from 1737-1758. These masses and their copies are critically examined and subsequently analyzed by focusing on particular types of arrangement as well as in summary. Aspects of musical practice and of the collection of notated music of the metropolitan chapter during Novak's era are also discussed in this thesis.
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Ordinarium by Karel Briza and Mistake in Interpretation in Prague's Churches
Churáčková, Alžběta ; Stříteská, Leona (advisor) ; Valášek, Marek (referee)
The main topic of the bachelor thesis is the analysis of Ordinarium by Karel Bříza. The part about life and work of Karel Bříza is followed by short historical-theological explanation of texts from Ordinarium Missae. The study itself consists of music component analysis. Final chapter deals with recordings of Bříza's Ordinarium from churches in Prague. The mail goal is to describe common mistakes which are frequently repeated, find out whether the organists follow prescribed accompaniment and to evaluate quality of music in Prague's churches.
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