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Lars von Trier in Czech Theatres: stage adaptations and their cinematographic prototypes
Kaňková, Markéta ; Janoušek, Pavel (advisor) ; Just, Vladimír (referee)
This thesis concentrates on the phenomenon of theatre adaptation of films in context of czech contemporary theatre. It's goal is - on examples of theatre transcriptions of Lars von Trier's films - to capture and describe difficult process of adaptation, which is wageing during the transformation of films and film texts into their theatre versions. During the process of analyses, we will try to trace not only the concrete transfigurations, but to name possible approaches and techniques revelating during the act of adaptation.
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Screenplay
Titka, Štefan ; DUFEK, Jiří (advisor) ; JARCHOVSKÝ, Petr (referee)
This thesis deals with the origin, evolution and standardization of the american screenplay and its form. Big portion of the thesis is then dedicated to specific analysis of each of the formal elements of the script, especially to explain and illustrate with examples its use in common screenwriting practice.
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How to write a story?
Mašinová, Milada ; VAJCHR, Marek (advisor) ; DUFEK, Jiří (referee)
In my thesis I focus on screenwriting literature. I decided to scrutinize two very different titles: Robert McKee's Story: Substance, Structure, Style and the Principles of Screenwriting and Blake Snyder's Save the cat! The Last Book on Screenwriting You'll Ever Need.
Literature approaching this subject is not very common in Czech environment which is the reason I concentrate on two foreign publications. I am not only introducing the books themselves, I also present their authors, I examine the chapters on characters and on structure, I apply McKees's and Snyder's principles on two selected feature films. Lastly I summarise pros and cons of both of the books and the value they could bring to potential readers.
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