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Thomas Demand
 Kolský, Jan ; GRYGAR, Štěpán (advisor) ; SILVERIO, Robert (referee)
In this paper I am focusing on oeuvre of German artist Thomas Demand. At first I do so at the level of his method and in the second part I discuss three different readings of his work. The purpose of this work is to present Demand`s oeuvre in coherent context and to discuss and synthesize different interpretational readings with greater focus on relation between Demands work and reality, that is representation, and the viewer with his perception of Demand`s photographs. I identify the moment associating the motifs of absence, closedness and interiority, which are common to all interpretations, as crucial to Demand`s work. I propose to read Demand`s photographs as anticipating principles of the digital image thus the photography.
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