National Repository of Grey Literature 39 records found  beginprevious30 - 39  jump to record: Search took 0.01 seconds. 
Dramatic method of Jiří Kylián´s work
Malá, Kateřina ; Wiesner, Daniel (advisor) ; Němečková, Elvíra (advisor) ; Kubicová, Ivanka (referee) ; Gremlicová, Dorota (referee)
This bachelor thesis discusses five performances created by Jiří Kylián (L?enfant Et Les Sortileges, The Soldier?s Tale, Kaguyahime, Tantz-Schul, One of a Kind). First chapter contents short information about choreographer?s life. Each choreography is analyzed in the following chapters. Every chapter contents information about the date and place of premiere, the author of music, libretto, stage design, costume and light design. The main interest targets the dramatic line of the performance. Especially if some crucial moments are visible, how many dancers are there in the performance, creation and usage of stage and stage properties. Choreographic creation is also described. I compared these titles with focusin on the evolutin of choreographers work with elements described thereinbefore.
Basis of the contemporary jazz dance
Burkiewiczová, Jana ; Kubicová, Ivanka (advisor) ; Puobišová, Dagmar (referee)
The main goal of this dissertation is not to deal with jazz as such. Neither the essence nor history of the jazz is focused. Contemporary jazz dance is in the centre of the interest and namely from the pedagogical point of view first of all. But on the other hand no methodology is presented here.
Male element in dance
Bič, Daniel ; Ovsová, Libuše (advisor) ; Kubicová, Ivanka (referee)
This thesis has been devoted to a male element in dance. It describes key features and prejudices that a male dancer had to or still must break down. It appears as a case study of a male effort in an art dance.
Tchai-ťi, as psychophysical rehabilitation of dancer
Morávková, Pamela ; Kubicová, Ivanka (advisor) ; Kamarád, Jiří (referee)
The theme of this work is the use of Tchai-ti not as it is known to public as one form of martial arts but to introduce its significancy when working with human breath, with its energy paths and distribution of human weight in order to prepare the dancer for a maximum performance while dancing. The foundation is to learn the principles how to react to human impulses and to become aware of them. By doing that a dancer also realises the full potential of his or her body and the final result will also raise the quiality of any work out and consequently the body wil be less worn out. Important role plays also the psychic disposition of the dancer, which can be improved by relaxation techniques and massages. The whole work can be divided into several stages or parts. When we deal with Tchai - ti its history, religion and theory should be included and we should also mention the exercises of čchi-kung which consist of massages basic or foundamental set of ralaxation exercises of J- tin-ting whose focus is on streching and strengthing the muscles and ligaments of human body.
Movement and actor
Slezáková, Kristýna ; Kubicová, Ivanka (advisor) ; Kazárová, Helena (referee) ; Pacek, Martin (referee)
My diploma thesis continues in the studies of the actor´s dancing movement, which I started in the bachelor thesis. This time I am taking focus on the creating of a concrete choreographic piece for an actor in the area of a drama or a moving theatre. There are certain differences between the work with a professional dancer and the work with an actor. I try to define these differences, give them names and search for some ways how to better the cooperation with an actor. In the first part I define the terms I use specifically, in the second part I shortly speak about the improvisation and in the last one I bring in a few exercises which support the work with an actor. All the exercises and recommendations came out from my personal experiences and whole the thesis is ment as a kind of a manual which helps to make the choreographic process easier.
Alwin Nikolais and his technique
Bednářová, Kateřina ; Němečková, Elvíra (advisor) ; Kubicová, Ivanka (referee)
Magister thesis focuses on dance technique, that is developed since 1950s in America. Alwin Nikolais was the creator of concept, principles and philosophy. Murray Louis, his collaborator and partner collected and compiled Nikolais´s ideas to the sophisticated system, called Nikolais/Louis Technique. The technique is neutral in any style and high oriented to perform.
Introduction to Stage Light Design
Josková, Michaela ; Kubicová, Ivanka (advisor) ; Wiesner, Daniel (referee)
This bachelor thesis explores the basic principles of stage lighting design. This thesis goes over key terms, commonly used types of lamps and finally touches on light control. One ilustrated chapter describes and compares varied lighting angles. Another chapter clarifies the colour theory and principles of filtering colour. We conclude by discussing light design in dance performances. The supplement includes photographs taken specifically for this thesis.
A RESEARCH ON ACITIVITY IN DANCE DEPARTMENTS OF BASIC SCHOOLS OF ARTS IN CHOMUTOV DESTRICT
Ratajová, Olga ; Kubicová, Ivanka (advisor) ; Eliášová, Bohumíra (referee)
This bachelor thesis explores activities in dance departments of Basic schools of Arts in Chomutov destrict. This thesis goes over history of each school, introduce teachers of dance departments, their style of work and those pupils who started their professional dance career. The main focus is in children dance companies, their work and their successes in various competitions. One part of this thesis is formed by the results of a survey among teachers of dance. The results show many teachers who are not sufficiently educated in dance pedagogy and their orientation in the field of contemporary dance is very poor.

National Repository of Grey Literature : 39 records found   beginprevious30 - 39  jump to record:
Interested in being notified about new results for this query?
Subscribe to the RSS feed.