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Sonata for clarinet and piano by Viktor Kalabis
Černohouzová, Jana ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
My thesis "Sonata for clarinet and piano by Viktor Kalabis" is focused on one of concertantes pieces for clarinet and piano by Viktor Kalabis . The first part of the thesis deals with the life experience of the composer; the second part comprises an attempt to reflect the interpreter's perspective and expound interpretation issues. The author's experience with performing the sonata is described. The most difficult sections are explained and interpretation and practice options offered. The author's recording (2014 - J. Černohouzová, D. Wiesner) is compared with two other recordings (1970 - J. Štengl, Z. Zichová, 2013 - J.Hlaváč, I. Kahánek). The approaches of the interpreters and their performance style is analysed. The composer-interpreter relationship is discussed.
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THE MOST IMPORTANT WORKS FROM SLOVAK COMPOSERS FOR CLARINET
Kamencay, Jozef ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
The aim of my thesis is an introduction to the world of Slovak composers, clarifying the problematics of the period in which they composed and listing the most played and most important works by Slovak composers composed for clarinet. As an example, I analysed the Small Slovak Rhapsody by Juraj Filas. This work contains many elements typical for Slovak modernism.
In the next section I focus on the Slovak Clarinet school, its development and the most important representatives in the educational and interperatational sphere.
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Clarinet Teaching connected with the methodological and Psychological Preparation
Dittrichová, Lucie ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
My thesis deals with the problem of teaching clarinet playing. It examines psychological
aspects of pupil?s and teacher?s personality and methodological rules at different levels of education. Includes the practise in playing the preparatory instruments (recorder, chalumeau, clarinéo) through basic music education, studying at the conservatory, to the academic study. The main part of the thesis is a chapter that describes the various ways of teaching - not only with future professionals but also concerns education of amateur musicians and popularizing classical music through modern teaching materials (interactive textbooks, internet, workshops).
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Main Czech Pieces for Woodwind Quintet
Javůrek, Jiří ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
The aim of this work is to serve a complex view of the woodwind quintet repertoire and it deals with the principal works for woodwind quintet of the Czech composers. Woodwind quintet is a stable name for following group of the five wood instruments ? flute, oboe, clarinet, bassoon and French horn. The repertoire is nowadays growing up because of the growing popularity of this group but this work covers only with Antonín Rejcha?s, Bohuslav Foerster?s, Leoš Janáček?s, Pavel Haas?s, Václav Trojan?s and Iša Krejčí?s works and it puts stress on the formal and harmonic analysis. In all pieces of work of the mended composers are insignificant elements of the Czech folklore which, thanks to Czech woodwind repertoire, is spread all over the world.
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The personality of Karel Husa and his work for reed instruments
Juráň, Jan ; MAREŠ, Vlastimil (advisor) ; HLAVÁČ, Jiří (referee)
The main focus of this thesis is to describe the life of Karel Husa and his work. Special attention is payed to works for reed instruments. The thesis is seperated into 4 chapters. At the beginning I characterize the development of the music of 20th century and I present summary of the czech music composers, which have composed and some of them still work in USA. In the 3rd chapter I focuse on the life of Karel Husa and in the final chapter I deal with his work for reed instruments. In this part I analyse chosen pieces from the structural and compositional point of view and I've tried to find its main link components and major differences.
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Symbioza Choral and Instrumental Practices in my interpretative Activities
Tauchmanová, Hana ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
The impetus for writing this thesis was the fact that in my interpretive practice I devote myself to singing and playing the clarinet. For both of these fields the right way of breathing is crucial. Comparing the methodologies described in these fields with my own experience -educational, interpretive and educational . I am trying to find out in what way the methodologies for teaching singing and for playing the clarinet are similar, and on the other hand where there are differences. The aim of my thesis was to describe - based on my own experience - how the knowledge I gained while studying singing helped me at the beginning of the study of playing the clarinet, where just on the contrary, I was limited, and reciprocally how the knowledge gained during the study of playing the clarinet influenced my singing practice.
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The Original Version of Mozart's Concert for Clarinet
Liebigová, Veronika ; MAREŠ, Vlastimil (advisor) ; HLAVÁČ, Jiří (referee)
The bachelor thesis is focused on Mozart´s concert for clarinet (K. 622) and related events, such as its genesis and first showing.
The thesis describes the life of the first interpreter, Anton Stadler. I tried to put his curriculum vitae together from fragmentary notes in various publications and encyclopedias. To this chapter, I added a text concerned on the author W.A. Mozart and his putative friendship with Anton Stadler. Further, I focused on the original version of the concert, written for another instrument that has not been preserved till today. Nowadays, the interpretation of the concert often differs because of another register of today´s instruments. Showing examples of clarinet part in the chapter on original version of the concert I tried to specify situations, where the original instrument may be used. The main sources of the research introduced in my bachelor thesis were documents written in English, German and also some Czech publications. My aim was to sum up elder data and enrich them by new insights gained during my studies of these publications and records. I also dedicated one chapter to important Czech and foreign clarinettists who were involved in the interpretation of the concert. In conclusion, I analyzed two different interpretations of the Mozart´s concert by Sharon Kam and Charles Neidich.
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Jörg Widmann - Fantasy for a clarinet Solo
Kestřánková, Věra ; MAREŠ, Vlastimil (advisor) ; HLAVÁČ, Jiří (referee)
Although is Jörg Widmann's work well known throughout the world, in the Czech Republic is this composer not very known. This thesis aims to improve this fact and put work of Jörg Widmann into the consciousness of listeners and interpreters in the Czech Republic. The work deals mainly with his composition Fantasia for solo clarinet, which is approached from two main angles. One is the formal and tectonic analysis of the composition and the second is instruction for possible interpretation and training of this composition. The reader can learn information about composer?s approach to his composition at my thesis.
An important component of the work is the characteristic of effects of the contemporary clarinet playing. Further a theory of interpretation of contemporary music and access to their productions is included. Thesis include also list of works by Jörg Widmann.
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Clarinet´s Concertant Pieces by Viktor Kalabis
Černohouzová, Jana ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
My Bachelor Thesis "Clarinet´s Concertant Pieces by Viktor Kalabis" is aimed on life and work of Viktor Kalabis. The first part of my Bachelor Thesis deals with composer´s career and life reflecting into his work. In the second part I write about evolving of his compositional technique and about factors that affected it. Subsequently I mention pieces for clarinet that I divide into two groups. The first of them contains pieces without opus number; these were not determined by the composer to be performed. With more details I write about pieces with opus number that extend contemporary clarinet repertoire. Mainly I deal with interpretation issue of his work for clarinet. In particular analysis of these pieces I wanted to point on progress of his compositional technique and also on Kalabis? characteristic methods that stay still the same.
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Chamber Music for Voice, Clarinet and Piano.
Pospíšilová, Eliška ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
The introduction is justified by the choice of thesis topic.
The aim is to present chamber music for voice, clarinet and piano and additional chapter to present works for voice, clarinet, piano and other instruments.
The work consists of an introduction, main chapters, additional chapters and the conclusion.
This work formed a brief overview of chamber works and their authors that were written in a composition for voice, clarinet and piano. There are some plot mentioned songs.
The main chapters are listed:
1. soprano, mezzo-soprano, alto, tenor, baritone, bass, and their various combinations,
2. clarinet in B and in A, basset horn, bass clarinet.
3. piano.
The additional chapters are used other tools such as strings, woodwinds, percussion, narrator, actor, electro-acoustic instruments.
In the end, I evaluate my work and I thought of her course.
Trying to convince readers and audiences.
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