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National Repository of Grey Literature

184 records found  177 - 184  jump to record:

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	Hans von Aachen 1604 - 1912: Three centuries of fortuna critica Konečný, Lubomír The article charts the vicissitudes of opinions about the painter Hans von Aachen between 1604 (Karel van Mander) and 1912 (Rudolf A. Peltzer). These can be explained by changes of both the taste and critical concepts of art history. Detailed record
	Hans von Aachen in Context. Proceedings of the International conference Prague 22-25 September 2010 Konečný, Lubomír ; Vácha, Štěpán ; Bukovinská, Beket The conference on which this volume of proceedings has been based brought together fifty specialists who discussed various aspects of the work and life of Hans von Aachen (1552–1615). Detailed record
	Independent Producer in Czech Republic Konečný, Lubomír ; Kopecký, Čestmír (advisor) ; Oukropec, Petr (referee) The thesis is trying to formulate the notion of independent producer in Czech republic. Detailed record
	Giovanni Morelli: art historian as connoisseur of the (painted) human body Konečný, Lubomír This study introduces the Italian politician and connoisseur Giovanni Morelli (1816-1891) and his method, as an attempt to provide, in analogy to sciences of nature, a rigorous basis for art connoisseurship. Detailed record
	Renaissance art as studied yesterday and today Konečný, Lubomír This essay recapitulates recent approaches to the Renaissance art, and critically concentrates on the doubtful penchant for Neoplatonic interpretations. Detailed record
	The dawn of Jesuit emblematics in Bohemia and Moravia Konečný, Lubomír Detailed record
	The Baroque as a banquet Konečný, Lubomír One of the basic constituents of Baroque art can be recognized in its ability to depict sensual qualities of the representable world as they can be perceived by means of the five traditional senses. In this article, this feature is considered in its wide historical context. Detailed record
	Introduction. [Critical Theory and History of Art in our Conditions] Konečný, Lubomír An introduction to a session at the First Conference of Czech Art Historians. Detailed record

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